We talk to Pixar’s Dylan Sisson about ‘Teapot Meets Potzilla’, a homage to Marv Newland’s ‘Bambi Meets Godzilla’ made with RenderMan’s Stylized Looks.
A look behind the scenes at these Framestore creatures.
Pixar effects supervisor Bill Watral discusses sparks, light speed and more.
Behind the work by Perception on the main-on-ends for the Oscar Isaac series.
How NVIZ approached their visualization work on the film.
We also get to the bottom of ftrack’s name…
What’s different, and what’s the same, about gaming and VFX?
Happy 25th birthday to the film’s animatronic snake.
How Mauro dreamt up a graphic novel project and has turned it into so much more.
How Luma Pictures helped craft the VFX of the opening sequences of ‘Spider-Man: No Way Home’.
Behind the scenes of ‘Apollo 10½: A Space Age Childhood’.
Go behind the scenes of the Ryan Reynolds film with the VFX supervisor.
Sam Nicholson from Stargate Studios explains the ocean plate camera array and LED wall shoot for the Taika Waititi show.
A new way of rigging and articulation developed at Pixar called profile movers helped craft the very expressive characters in the film.
A chat about one person’s path in and beyond the visual effects industry.
Behind the scenes of a very specific scene in episode 4 of the series.
Behind the scenes with Untold Studios’ Ben Cronin and the Frito-Lay ‘Push It’ commercial.
A never released audio interview with the VFX pioneer.
How Imageworks crafted a digital Alfred Molina and Tobey Maguire back in 2004.
Cinesite’s technology leaders break down the major tech achievements and challenges facing the studio right now in VFX and animation.
Go inside the release of the new renderer from SideFX.
Volumetric capture and VFX.
Breaking down The Third Floor’s approach to previs and more.
An inexpensive and open source mocap solution might be on the horizon.
Go behind the scenes of the visualization of the film.
Looking at one of the big new trends in animation.
The art of making VR art.