VFX Futures: How this new RenderMan Walking Teapot short film pays homage to an animated classic
We talk to Pixar's Dylan Sisson about 'Teapot Meets Potzilla', a homage to Marv Newland's 'Bambi Meets Godzilla' made with RenderMan's Stylized
VFX Futures: Making a bird skull god and a hippo god for ‘Moon Knight’
A look behind the scenes at these Framestore creatures.
VFX Futures: How all those sparks in Pixar’s ‘Lightyear’ were created
Pixar effects supervisor Bill Watral discusses sparks, light speed and more.
VFX Futures: The end titles of ‘Moon Knight’
Behind the work by Perception on the main-on-ends for the Oscar Isaac series.
VFX Futures: NVIZ on the previs of ‘Morbius’
How NVIZ approached their visualization work on the film.
VFX Futures: ftrack’s Fredrik Limsäter on the state of play of production tracking
We also get to the bottom of ftrack's name...
Moving from VFX to games: meet Blinkmoon
What's different, and what's the same, about gaming and VFX?
Looking back at the practical and digital effects of ‘Anaconda’
Happy 25th birthday to the film's animatronic snake.
Concept designer Ben Mauro on building his ‘HUXLEY’ universe
How Mauro dreamt up a graphic novel project and has turned it into so much more.
Zendaya and Tom Holland’s wire work, digi-doubles, and the art of comp’ing hair
How Luma Pictures helped craft the VFX of the opening sequences of 'Spider-Man: No Way Home'.
VFX Futures: The evolution of Richard Linklater’s rotoscoped animation films
Behind the scenes of 'Apollo 10½: A Space Age Childhood'.
De-ageing, destruction and other digital effects in ‘The Adam Project’
Go behind the scenes of the Ryan Reynolds film with the VFX supervisor.
VFX Futures: The virtual production behind the pirate ship scenes in ‘Our Flag Means Death’
Sam Nicholson from Stargate Studios explains the ocean plate camera array and LED wall shoot for the Taika Waititi show.
Pixar’s Danielle Feinberg on the studio’s new tech in ‘Turning Red’
A new way of rigging and articulation developed at Pixar called profile movers helped craft the very expressive characters in the film.
VFX Futures: From VFXer to trucker–Louis Katz’s story
A chat about one person's path in and beyond the visual effects industry.
VFX Futures: ‘Wheel of Time’ VFX supe Julian Parry on designing the One Power
Behind the scenes of a very specific scene in episode 4 of the series.
VFX Futures: What it’s like to work on the VFX for a Super Bowl spot
Behind the scenes with Untold Studios' Ben Cronin and the Frito-Lay 'Push It' commercial.
VFX Futures: Douglas Trumbull on his plan to change cinema
A never released audio interview with the VFX pioneer.
VFX Futures: VFX supervisor Scott Stokdyk looks back on the digital human breakthroughs in ‘Spider-Man 2’
How Imageworks crafted a digital Alfred Molina and Tobey Maguire back in 2004.
VFX Futures: Pipeline, tools and tech with Cinesite
Cinesite's technology leaders break down the major tech achievements and challenges facing the studio right now in VFX and animation.
VFX Futures: The making of SideFX’s new renderer, Karma
Go inside the release of the new renderer from SideFX.
VFX Futures: Behind the scenes of ‘My Universe’ from Coldplay x BTS
Volumetric capture and VFX.
VFX Futures: The visualization tools and techniques behind The Third Floor
Breaking down The Third Floor's approach to previs and more.
VFX Futures: The FreeMoCap Project
An inexpensive and open source mocap solution might be on the horizon.
VFX Futures: How Halon previs’d ‘Free Guy’
Go behind the scenes of the visualization of the film.
VFX Futures: Christos Obretenov on stylized rendering
Looking at one of the big new trends in animation.
VFX Futures: Kevin Mack’s abstract virtual reality artworks
The art of making VR art.
Get my new book in PRINT or on KINDLE.
Issue #66: The visual effects of Avengers: Endgame.
Latest limited edition t-shirt: Pseudopod.
