
Behind ILM’s 700 invisible visual effects shots for Martin Scorsese’s ‘Killers of the Flower Moon’.
The highly anticipated HBO adaptation of The Last of Us video game transport viewers into a beautiful post-apocalyptic world. DNEG faced the daunting task of creating massive environments spanning multiple locations. Discover the secrets behind their incredible work!
Impossible Objects worked on this music video ‘Follow the Toad’ for PIA and EDM music producer Anymize, captured on a small stage with a 30 X 12 LED wall. Watch the video and behind the scenes here.
Packed with game-changing new features, this is Left Angle’s biggest release yet. Plus, find out how to get 40% off.
Check out the short featurette that showcases the performance capture and digital avatar work by Industrial Light & Magic.
In this EXCLUSIVE visual effects breakdown video, find out the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
MASV can drastically speed up VFX workflows through its fast, reliable, and automated file transfer platform.
Cinesite adopted new workflows to bring more flexibility to its creature pipeline for the latest incarnation of ‘The Witcher’. A new excerpt from issue #13 of befores & afters magazine.
This time, Artemple showcases its impressive VFX work for the David Fincher film, including for THAT opening scene.
Framestore took the domesticated bishop’s claw in Foundation to a new level. Read this excerpt from issue #13 of befores & afters magazine.
Wylie Co. has posted a VFX breakdown showcasing their Michael Fassbender digi-double visual effects work.