The latest edition of befores & afters magazine covers greenscreen performers, ‘meta’ VFX moments, practical effects and more.
Issue #3 is here! See what’s inside
Here’s how those masterful mirror gags were pulled off in Edgar Wright’s ‘Last Night in Soho’
Watch Goodbye Kansas’ ‘Vigil’ VFX breakdown
How some of the trawler and submarine shots were done.
Turning Beastboy into a bat and a tiger
(Just don’t ask where Beastboy’s clothes go).
Here’s how Moab canyons and rock formations were scanned for Megascans
This behind the scenes Quixel video takes you on location for the scans.
‘It’s pretty gnarly at times!’
VFX supervisor Stephane Ceretti breaks down the design and visual effects behind the mysterious creatures.
Behind the stuffies and stand-ins used to make ‘Clifford the Big Red Dog’
VFX supervisor Blair Clark reveals how stuffies all the way from a small red beanbag to a giant red structure puppeteered by two people were created for the film.
Go behind the scenes of Pixomondo’s virtual production on S4 of ‘Star Trek: Discovery’
A new video showcases the work, which includes shooting on an LED stage.
Here’s how practical and digital effects worked together to sell the scares in ‘Malignant’
The parasitic Gabriel character came to life via prosthetic and animatronic effects by Spectral Motion, and digital visual effects by Industrial Light & Magic.
What is photorealism? Well, someone literally just wrote the book on it
Visual effects supervisor Eran Dinur on his new VFX text, including an exclusive excerpt and a special discount code for befores & afters readers.
On The Set Pic: ‘The Book of Boba Fett’
Jon Favreau on the set of the upcoming Lucasfilm series.
VFX Futures: Pipeline, tools and tech with Cinesite
Cinesite’s technology leaders break down the major tech achievements and challenges facing the studio right now in VFX and animation.
Watch the behind the scenes for ‘A Boy Called Christmas’
Netflix has published this official making of video.
How mocap suits and accelerometers helped previs the stunts and VFX for ‘No Time To Die’
Proof explains the previs process on the film.
Bunnies, birds and blood
How Scanline helped orchestrate Harley Quinn’s hilarious escape scene in ‘The Suicide Squad’.
VFX Notes: The art of matte painting and invisible VFX with Craig Barron
A look back at the old-school days of matte painting, and the new digital realm.