Behind ILM’s 700 invisible visual effects shots for Martin Scorsese’s ‘Killers of the Flower Moon’.
The highly anticipated HBO adaptation of The Last of Us video game transport viewers into a beautiful post-apocalyptic world. DNEG faced the daunting task of creating massive environments spanning multiple locations. Discover the secrets behind their incredible work!
The work includes the Temporal Loom and (human) spaghettification VFX.
Check out greenscreen work, CG animation and even miniatures.
The ILM creative director also reflects on the importance of his past SIGGRAPH experiences.
Impossible Objects worked on this music video ‘Follow the Toad’ for PIA and EDM music producer Anymize, captured on a small stage with a 30 X 12 LED wall. Watch the video and behind the scenes here.
Packed with game-changing new features, this is Left Angle’s biggest release yet. Plus, find out how to get 40% off.
VFX supervisor joins the podcast to discuss making Big Time Rush’s music video for ‘Weekends’.
Check out the short featurette that showcases the performance capture and digital avatar work by Industrial Light & Magic.
In this EXCLUSIVE visual effects breakdown video, find out the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
The virtual production short film was also covered in depth in befores & afters magazine.
MASV can drastically speed up VFX workflows through its fast, reliable, and automated file transfer platform.
Cinesite adopted new workflows to bring more flexibility to its creature pipeline for the latest incarnation of ‘The Witcher’. A new excerpt from issue #13 of befores & afters magazine.
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How the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
Louis Hofmann as Werner Pfennig in episode 104 of All the Light We Cannot See.
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Looking at how CGI, stunts and practical effects blend together.
Discover more about ActionVFX’s new production-ready 3D Asset Library.
Trollocs and Fades!
Breaking down the opening chase scene.
This time, Artemple showcases its impressive VFX work for the David Fincher film, including for THAT opening scene.
Framestore took the domesticated bishop’s claw in Foundation to a new level. Read this excerpt from issue #13 of befores & afters magazine.
The new tools that Walt Disney Animation Studios used to give ‘Wish’ an old-school feel.
Wylie Co. has posted a VFX breakdown showcasing their Michael Fassbender digi-double visual effects work.
The Academy has two short ‘Behind the Oscars Speech’ videos with the pair.
Get up to 50% off on production-quality 2D and 3D assets from ActionVFX.