The latest edition of befores & afters magazine covers greenscreen performers, ‘meta’ VFX moments, practical effects and more.
How some of the trawler and submarine shots were done.
(Just don’t ask where Beastboy’s clothes go).
This behind the scenes Quixel video takes you on location for the scans.
VFX supervisor Stephane Ceretti breaks down the design and visual effects behind the mysterious creatures.
VFX supervisor Blair Clark reveals how stuffies all the way from a small red beanbag to a giant red structure puppeteered by two people were created for the film.
A new video showcases the work, which includes shooting on an LED stage.
The parasitic Gabriel character came to life via prosthetic and animatronic effects by Spectral Motion, and digital visual effects by Industrial Light & Magic.
Visual effects supervisor Eran Dinur on his new VFX text, including an exclusive excerpt and a special discount code for befores & afters readers.
Jon Favreau on the set of the upcoming Lucasfilm series.
Cinesite’s technology leaders break down the major tech achievements and challenges facing the studio right now in VFX and animation.
Netflix has published this official making of video.
Proof explains the previs process on the film.
How Scanline helped orchestrate Harley Quinn’s hilarious escape scene in ‘The Suicide Squad’.
A look back at the old-school days of matte painting, and the new digital realm.