‘Westworld’: what it took to transform the Los Angeles skyline
Pixomondo on its future LA VFX work.
There’s some clever practical filmmaking in Damien Chazelle’s vertical iPhone movie
The director of ‘La La Land’ even included an in-camera iPhone composite in the vertically shot ‘The Stunt Double’.
Behind Prop Store’s Nostromo model restoration
Just in time for the huge live auction later this month.
It’s pretty wild to see this ‘Kissing Booth 2’ scene was filmed on greenscreen
Netflix has posted a befores and afters vid.
How to set up an indie virtual production studio at home
Matt Workman breaks down his work-from-home approach using Unreal Engine.
Neal Scanlan explains how Babe the pig was puppeteered
‘When you watch a pig, it’s never still for one second.’
Behind the visual effects test that greenlit ‘Hollow Man’
VFX supe Scott E. Anderson looks back at digital humans, greenscreen paint and the genius casting of Kevin Bacon.
DigiPro 2020 preview: Mando, Trolls, Cats and more
DigiPro is going virtual this year.
Wait, there’s a talking goldfish!? These are the killer VFX scenes from s2 of ‘The Umbrella Academy’
SPOILER WARNING: The making of the opening battle oner, baby Pogo, a fish-headed android, Ghost Ben and the final confrontation.
Have you been checking out Kite & Lightning’s facial cap demos?
Showcasing new characters (even Baby Yoday) animated with Unreal Engine, iPhone and Xsens.
The animatronic sheep in ‘Babe’ almost lost their coats before filming even started
Plus other fun sheep stories from the movie, currently celebrating its 25th anniversary.
Under the SkinGen, with Reallusion
Character Creator 3.3’s digital human workflow now includes SkinGen.
An admission: I totally forgot about the great CG spacesuits in ‘Space Cowboys’
Righting that wrong with the film’s visual effects supervisor.
FXhome releases CamTrackAR
The iOS app captures video and 3D tracking data simultaneously.
Woah – check out the physics-based character animation software Cascadeur
Cascadeur open beta is out.
Retro RenderMan: shading on ‘Finding Nemo’
How RenderMan was used for the film’s coral reef.
Before and after Covid-19, at Escape Studios
Escape Studios VFX compositing lecturer Klaudija Cermak’s tips for jumping into the industry right now.
How virtual production was used to make ‘His Dark Material’s’ big bear fight
Step-by-step with Framestore.
Get ready for Real-Time Live! at SIGGRAPH 2020
One of the coolest events at SIGGRAPH.
See what’s new in the latest VES Handbook of Visual Effects
The third edition is now out.
The VFX Emmy noms are out!
Congratulations to all the nominees.
Everything you wanted to know about the history of Nuke’s Smart Vectors
Where it came from, how it was built, and why it was originally called ‘Smart Paint’.
Tumultuous titles: the crazy story behind ‘Waterworld’s’ opening moments
One of several memorable Universal logo take-overs, and it even involved a giant globe…
The making of ‘Chalk Warfare 4.0’
Watch the new short, and a behind the scenes featurette.
How you can implement a VFX workflow completely in the cloud
A how-to video for integrating cloud renderer Conductor into Shotgun.