And how ILM crafted the final intricate performances of Ollie, Rosy and Zozo.
And how one hilarious moment in ‘Black Adam’ done by the VFX studio didn’t make it to the theatrical cut.
befores & afters is hosting a special session with local studios.
“You are on Pandora.”
A new European chapter has been launched.
Behind the scenes of ‘Beast’, including incredible lookdev reels.
The green guys feature in this featurette.
The writer and the director of the Netflix series both discuss the creation of the show, working with puppets and working with CG.
Director James Cameron shoots a scene. Note the LED panels and camera tracking set-up.
The making of Werewolf by Night’s Man-Thing.
The VFX studio’s history in crafting photoreal CG humans and human-like characters was further extended on the series.
How a combination of invisible effects, digital blood and CG snakes helped expand the story and production value of an indie horror.
It’s a new specification for standardizing how the documentation, tracking and use of framing.
Sony Pictures Imageworks made a compilation video of their work on the many Spider-Man projects, starting in 2002.