All the CRAZY visual effects in s5 of ‘The Boys’ Issue #62 of befores & afters magazine covers the visual effects of The Boys, season 5.
From classroom to credits Finding VFX through a love of filmmaking - lots of creatives discover visual effects as they develop a passion for filmmaking.
Imageworks releases Silver Surfer ‘The Fantastic Four’ breakdown Showcasing the process of taking Julia Garner performance capture through to the final character.
ILM’s John Knoll reveals one of the toughest VFX sequences he’s ever worked on A brand new podcast in the ILM series.
Preview the Computer Animation Festival at SIGGRAPH in this stunning trailer Get a glimpse of the animated shorts, visual effects, scientific visualizations, and digital storytelling.
On The Set Pic: ‘Avatar: The Last Airbender’ s2 (L to R) Ian Ousley as Sokka, Gordon Cormier as Aang, Hoa Xuande as Professor Zei, Miyako as Toph, Kiawentiio Tarbell as Katara.
ILM’s David Vickery on combining practical and digital A look back at some past Jurassic World films with the VFX supe.
About 40 journalists watched the ‘Independence Day’ miniatures team blow up the White House, live Plus other fun stories from the making of the Roland Emmerich film.
Shooting scenes for ‘Prehistoric Planet: Ice Age’ Puppet passes, and the art of the nature doco, without animals to film.
Puppets, previs and prehistoric creatures Issue #61 of befores & afters magazine covers the visual effects of Prehistoric Planet: Ice Age.
Behind the scenes of weapons, armor and prosthetics in ‘House of the Dragon’ New featurette on episode 2 of season 3.
All the CRAZY visual effects in s5 of ‘The Boys’ Issue #62 of befores & afters magazine covers the visual effects of The Boys, season 5.
Puppets, previs and prehistoric creatures Issue #61 of befores & afters magazine covers the visual effects of Prehistoric Planet: Ice Age.
Crafting a color and black and white world for ‘Spider-Noir’ Issue #60 of befores & afters magazine covers the visual effects of Spider-Noir.
Air Force One, and other invisible effects in ‘Pluribus’ Issue #59 of befores & afters magazine covers the visual effects of Pluribus.
Deathclaws, rad-creatures, Vegas and more The visual effects and virtual production in Fallout, season 2, in the new magazine.
From classroom to credits Finding VFX through a love of filmmaking - lots of creatives discover visual effects as they develop a passion for filmmaking.
From classroom to credits From Aerospace to Spider-Man: How an Engineering Degree Paved the Way for a Career in the Arts (and a Sci-Tech Award!)
From classroom to credits The art of compositing - this artist sits at the heart of both live-action and animation.
ILM’s John Knoll reveals one of the toughest VFX sequences he’s ever worked on A brand new podcast in the ILM series.
ILM’s David Vickery on combining practical and digital A look back at some past Jurassic World films with the VFX supe.
ILM’s Cary Phillips on the development of Cari for ‘Dragonheart’ It's the newest podcast in our ILM series!
Crafting that killer oner for season 2 of ‘Daredevil: Born Again’ Plus, the ship sequence and invisible effects (which even included graffiti!).
Our live VFX Notes podcast on the best VFX shot in history is now available to view Recorded LIVE at FMX! Find out which VFX shot in history we thought was the best...
Fire, explosions, water and deer: the visual effects of season 3 of ‘The Night Agent’ A new podcast that goes behind the scenes.
Preview the Computer Animation Festival at SIGGRAPH in this stunning trailer Get a glimpse of the animated shorts, visual effects, scientific visualizations, and digital storytelling.
About 40 journalists watched the ‘Independence Day’ miniatures team blow up the White House, live Plus other fun stories from the making of the Roland Emmerich film.
“The ending with the Zeppelin was a nightmare, but it turned out pretty cool” How that final airship explosion in The Rocketeer was (almost) a major disaster.
‘Dragonheart’: the inside stories Celebrate the 30th anniversary of Dragonheart with key members of the VFX team.
From classroom to credits Finding VFX through a love of filmmaking - lots of creatives discover visual effects as they develop a passion for filmmaking.
Reallusion Unlocks Limitless Creation: iClone Personal Debuts Alongside AI Studio Official Launch Reallusion announces the debut of iClone Personal (free for all users) alongside the official public launch of AI Studio.
From classroom to credits From Aerospace to Spider-Man: How an Engineering Degree Paved the Way for a Career in the Arts (and a Sci-Tech Award!)
From classroom to credits The art of compositing - this artist sits at the heart of both live-action and animation.
Reallusion Redefines Digital Double Creation with the Launch of Headshot 3 for Character Creator 5 What's new in Headshot 3.
The Power of Hybrid AI: Reallusion Announces 2026 Vision Reallusion is proud to unveil its latest technology roadmap.
From classroom to credits Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
Powering a VFX Oscar winner Behind two key Wētā FX tech developments for fire and character deformation on Avatar: Fire and Ash.
From classroom to credits How the right school helped this compositor land his latest credit on 'Invasion' season 3.
Imageworks releases Silver Surfer ‘The Fantastic Four’ breakdown Showcasing the process of taking Julia Garner performance capture through to the final character.
Behind the scenes of weapons, armor and prosthetics in ‘House of the Dragon’ New featurette on episode 2 of season 3.