The latest edition of befores & afters magazine covers greenscreen performers, ‘meta’ VFX moments, practical effects and more.
Why Jorge Gutiérrez describes ‘Maya and the Three’ as “CG stop-motion”
befores & afters sits down with husband and wife creative team Jorge R. Gutiérrez and Sandra Equihua.
What actually goes into ‘designing’ visual effects for a major feature film?
‘Venom: Let There Be Carnage’ visual effects supervisor Sheena Duggal explains.
DIGIC Services showcases animal mocap in this video
Cats vs dogs.
Watch Digital Domain’s ‘Free Guy’ VFX breakdown
Including how they made that opener.
Go behind the scenes of that insane Burberry ‘Open Spaces Film’
This new spot sees characters flying high above fields, and a cliff.
VFX Notes: Looking back at David Lynch’s ‘Dune’
The practical, miniature, matte painting and optical visual effects behind the 1984 film.
Making water tank elements – a guide from InCamera
The latest in their submarine showcase (which was also a special tutorial in issue #2 of the magazine).
You need to watch this stuntviz reel for ‘Bloodshot’
Crafted by LBP Stunts Chicago.
On The Set Pic: Aardman’s ‘Robin Robin’
‘Robin Robin’ director Mikey Please briefs a shot of Robin.
Sneak peek of Houdini 19, Rust Working Group, UE5 modeling mode
The latest in VFX tech.
See A LOT of behind the scenes from DC’s upcoming films
New Aquaman, Shazam, Batman and more. It all happened during DC FanDome 2021.
Watch this ‘Fires’ virtual production behind the scenes by Dreamscreen Australia
Dreamscreen’s LED wall and virtual production tech was used on this Australian drama about bush fires.
Special preview: inside issue #3’s ‘meta VFX’ story
Find out how they made that ‘Wag the Dog’ bluescreen scene with Kirsten Dunst.
The SFX supervisor on ‘No Time To Die’ breaks down the film’s five biggest practical effects
Special effects supervisor Chris Corbould reveals the secrets of the DB5 scenes, Land Rover chase, sinking shots, and…EXPLOSIONS!
VFX Artifacts: Phil Tippett on ED-209 in ‘RoboCop’
The iconic ED-209 is the latest VFX Artifact we discuss.