That really is how this Unreal Engine Apollo 11 AR experience felt.
What Brad Bird is watching (and thinks you should, too)
The director shares a bunch of his favorite live action films, animated features and musicals.
The tech of ‘Terminator 2’ – an oral history
Everything from Make Sticky to Body Sock and painting a grid onto Robert Patrick.
Hear directly from women in FX
Watch the full 45 minute SideFX panel from SIGGRAPH 2019.
A whole lot of ‘Stranger Things 3’ VFX reels in one place
Get your breakdown fix right here.
It’s hard to look away from these incredible deep fake impressions
It’s Arnie! It’s Clooney! It’s George W. It’s…all of them.
The big VFX and animation talks at SIGGRAPH Asia Brisbane
ILM, Weta Digital, MPC, Pixar, Animal Logic and Framestore are all going to be there.
Simulating the ‘Inception’ miniature fortress collapse
One of these things is not like the other.
Procedural pores, modeling teeth, messy fighting and other new things Weta Digital did to turn Will Smith into a 23-year-old
Weta Digital also had to work with 40 times the usual data on ‘Gemini Man’.
‘Klaus’ is coming, and you’re going to be fascinated about how this 2D animated film was made
Animated in 2D, ‘Klaus’ has a unique approach to texturing and lighting.
A brief history of Will Smith’s incredible digital alter egos
The actor has been ‘fully CG’ and a digi-double in many of his films.
Motion controlled robots, controlled by…Maya!
How you can control industrial robots with the open-source Maya plugin Mimic.
You might be surprised how Thing was made for ‘The Addams Family’
‘Casting’ a hand was a tricky job.
The big films of 2019 that don’t feel like they have any VFX in them (but do)
‘Joker’ is one of the big films of the year that seems to eschew a lot of CG, but it’s also another major release this year with great invisible VFX.
‘We built a video game, the purpose of which was to make a movie’
A new featurette on the virtual production behind ‘The Lion King’.