visual effects magazine
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’
Happy 25th birthday to the film’s animatronic snake.
The VFX supervisor of ‘Panic Room’–the film is now two decades old–shares key moments from its production.
The film just turned 30! So I talked to director Brett Leonard.
Looking back at Blue Sky’s first feature film and the art and tech behind it.
The cape heralded a new wave of cloth simulation in movies.
One of the befores & afters retro panels happening at VIEW Conference
Learn more about the spaceship arrival/cloud tank VFX at this exclusive VIEW Conference panel.
The roaches came to life thanks to Blue Sky Studios.
A look back at the VFX studio’s first major project.
The invisible effects film is celebrating its 25th anniversary.
All about ILM’s adoption of several new technologies back on JP3, including ambient occlusion, virtual sets, Maya Paint Effects and dynamic flesh sims.
Go behind the scenes with Vision Crew Unlimited back in 1996.
The model build behind those simulated computer wireframes.
‘Cut! OK, let’s strike the set.’