How Blender Studio’s latest film, with a realistic human character, was made
Exploring the use of Blender's latest features to make 'Charge'.
Tech Weeklies is back! Unreal’s Mesh to MetaHuman, DNEG’s review tool, new Blender out
Catching up on a week of tech news in VFX, animation and CG.
How to see the making of a Blender film *while* it’s being made
Access the assets behind Blender Animation Studio’s new film ‘Coffee Run’.
How the ‘I Lost My Body’ filmmakers used Blender to create their startling animated feature
The film was animated in 3d, then given a 2d look, using the free open-source software.
Blender Guru and Poliigon creator Andrew Price on what he thinks is hot in Blender right now
Price also reveals how he decides on what Blender tutorials to make, and why donuts are so popular.
Introducing AYON: Advancing Creative Workflows for Animation and VFX Pipelines
How to get a demo of AYON, by the pipeline specialists at Ynput.
In-depth VFX breakdowns for Zoic’s CrowdStrike Cyberpunks spot
Go behind the scenes of the Super Bowl spot at befores & afters. In this special befores & afters breakdown video, Zoic
The crazy, intricate work behind DNEG’s VFX for ‘NYAD’
Water sims, incredible body tracking and matchmove, and insane comp.
David Silverman on the influence of music, and how he got started on ‘The Simpsons’
A look back at the director's work on The Simpsons TV series and movie, and Monsters, Inc. And yes we talk about
Abstract unveils InstaMAT
Disrupting the 3D Industry with a novel software package for scalable content creation.
The virtual production tech behind the new ‘Ted’ television series
How ViewScreen brought 'pro-vis' to the making of the Seth MacFarlane series.
Giving ‘Spider-Man: Across the Spider-Verse’ that crucial hand-made quality
How Imageworks made the linework tool Kismet. A new excerpt from befores & afters magazine.
Behind the scenes of Aardman’s ‘I Am Your Mother’ Star Wars: Visions short
Stop-motion and Star Wars!
How Framestore turned Hugh Grant into an Oompa Loompa for ‘Wonka’
A discussion about the process, but also about crafting comedy in visual effects.
Hugo Guerra on directing his ZEISS CinCraft Scenario film
A full walk through of the planning, shooting and post involved in the film.
Crowd Sim and Motion Director Editor for iClone 8.4 Launch as Free Upgrades
Reallusion's iClone 8.4 includes an integrated crowd simulation engine available as a free upgrade.
3D Gaussian Splatting with KIRI Engine, Now Available on Android for The First Time
Here's how to get the app right now.
How ‘Barbie’s’ ode to Dawn of Man set the scene for a specific style of VFX
Behind the scenes of the film’s 1300 VFX shots, virtual production techniques, and miniatures work.
ZBrush Face Tools Help Character Artists Bridge the Skill Gap to Achieve Expressive Animations
Behind Reallusion's Face Tools and its seamless integration between Character Creator (CC) and ZBrush.
Creatives from this year’s biggest VFX films and animated features are speaking at VIEW
Across the Spider-Verse, Barbie, TMNT: Mutant Mayhem, Oppenheimer, Guardians Vol. 3, Nimona, Elemental - and that's only SOME of the projects that
The making of Bank Heist mocap series for action films
ActorCore stages riveting blockbuster productions with fresh stunts.
‘We wanted to imply teenage imperfection everywhere’
Mikros Animation on how they brought a new stylized look to 'Teenage Mutant Ninja Turtles: Mutant Mayhem.'
Announcing Headshot 2, the AI-Enhanced Mesh-to-CC Plugin
Create Superior Digital Doubles from Images and 3D Meshes.
How that crazy HBO Mario Kart trailer on SNL was made
'I'll get you to Rainbow Road.'
Connecting 3D scenes from DCCs to Autograph using USD
The next live event from Left Angle is Thursday June 8th.
How these animated dino NFTs are rendered in the cloud with Conductor
Behind the cute Claynosaurz eco-system, and the tech used to realize10,000 ‘Clayno’ 3D animations.
The challenge of wrinkles for real-time
How Reallusion implemented its Dynamic Wrinkles system into the latest version of Character Creator.