
Read Gareth Edwards’ in-depth statement on the making of ‘The Creator’: how the director and his team took the unconventional approach of shooting the film first without sets and then approaching production design and visual effects later.
Read Gareth Edwards’ in-depth statement on the making of ‘The Creator’: how the director and his team took the unconventional approach of shooting the film first without sets and then approaching production design and visual effects later.
The film’s description is: “Pencils Vs Pixels is a celebration of 2D hand-drawn animation and an exploration of how the Disney Renaissance of the late 1980s and early 1990s led to an animation boom that was quickly upended by the computer animation revolution that followed.”
Across the Spider-Verse, Barbie, TMNT: Mutant Mayhem, Oppenheimer, Guardians Vol. 3, Nimona, Elemental – and that’s only SOME of the projects that will be featured this year. See the full list of speakers right here.
Mikros Animation on how they brought a new stylized look to ‘Teenage Mutant Ninja Turtles: Mutant Mayhem.’
The practical photographic element shoots and the digital compositing work done to bring the subatomic and large scale explosive effects of ‘Oppenheimer’ to the screen.
The film celebrates its 50th anniversary this year, and included a huge step forward in digital VFX.
The VFX studio talks three key sequences: Metropolis destruction, young Barry’s power test run, and visiting the Batcave.
A deep dive into the on-location chopper flying, bluescreen shooting, and final digital VFX work by DNEG for this and many other huge scenes in the film.
The team behind the work are from SOKRISPYMEDIA, and they’re presenting on the previs at SIGGRAPH 2023.
das element’s Jonas Kluger breaks down the key steps to organzing your assets in the best way possible.