Tape contains original animatics for the ‘Jedi’ Rancor sequence.
Category: Articles
How motion capture for ‘The Stand’s’ raunchy scenes was all done remotely by a single performer
The pandemic required the show’s VFX team to quickly pivot the approach to these crazy crowd scenes.
befores & afters at befores & afters: The making of ‘Mortal Kombat’
Rising Sun Pictures VFX supe Dennis Jones commentates on befores & afters images from the film.
The visual effects behind those two amazing opening oners in ‘A Quiet Place Part II’
VFX supe Scott Farrar breaks down ILM’s work for the John Krasinski and Emily Blunt scenes.
How a greenscreen stage was used to shoot that ‘Jupiter’s Legacy’ hilltop battle
Behind the shots with visual effects supervisor Jim Mitchell.
Riffing on The Rip for ‘The Irregulars’
When you’re presented with a VFX problem to solve, how do you solve it?
How LD+R’s ‘Life Hutch’ was made
Michael B Jordan, Alex Beaty and Tim Miller discuss this Love, Death + Robots film.
The mocap and crowd sims behind the hordes of zombies in ‘Army of the Dead’
A quick visual breakdown from Framestore.
The invisible effects of ‘Shameless’
This Ghost VFX breakdown reel showcases the power of on-set scanning, photogrammetry and Lidar.
Here’s how you scan real Las Vegas to make a digital Las Vegas
The process the VFX team followed for ‘Army of the Dead’, including when the Vegas hotels wouldn’t let them capture data.
‘Oh my god, are they going to show this? Oh my god, they showed it.’
How stunts and VFX combined to craft that intense mauling scene in ‘Army of the Dead’.
Tig Notaro’s greenscreen shoot, her digi-double and the VFX required to place her into the already-filmed ‘Army of the Dead’
A deep dive into the meticulous visual effects work behind replacing Chris D’Elia with Notaro on Zack Synder’s film.
Shotmakers: How Milk VFX orchestrated the devastating space helmet drowning in ‘Intergalactic’
Crew-members describe their roles in making the sequence possible.
You can get early access to Unreal Engine 5…now
And you can already try out Lumen, Nanite and more in the sample ‘Valley of the Ancient’ project.
‘Peter Rabbit 2’—the making of the heist
Key members of the creative team break down the climactic sequence.
