Proof explains the previs process on the film.
Category: Articles
Bunnies, birds and blood
How Scanline helped orchestrate Harley Quinn’s hilarious escape scene in ‘The Suicide Squad’.
How to attend the XVFX launch event from ACCESS:VFX and We Are Stripes
The event is taking place in London on 25 November.
‘What’s the story? What’s the feeling? That’s the hard part.’
Rodeo FX art director Deak Ferrand on his concept contributions to ‘Dune’.
How to build an animation studio –> Sergio Pablos shows you how
Listen in on my chat with Sergio from SIGGRAPH.
So…you need a humanoid robot in your film? What are your options?
The VFX supervisor of ‘Finch’ outlines the considerations made in bringing Tom Hanks’ robot companion to life.
This behind the scenes video showcases Weta Digital’s history of VFX tool development in the wake of the Unity acquisition
Unity is acquiring Weta Digital.
These charts tell the sobering results of a new women in VFX report
Study from Annenberg Inclusion Initiative and Women in Animation finds that the participation of women in VFX remains very low.
The ‘Dune’ visual effects team used sandscreens instead of bluescreens
A look behind the scenes at the extensive VFX work in Denis Villeneuve’s film.
‘If a real monkey cannot do it, Ampersand won’t do it’
How ILM crafted the starring capuchin monkey in ‘Y: The Last Man’.
Cinesite turns 30: a look back at the VFX studio’s history
Cineon, digital workflows, visual effects highlights and animated beginnings.
How Aaron Sims Creative made ‘The Eye: Calanthek’ in UE5 in six weeks
And, how you can download the alien creature animated with Control Rig from the short right now.
‘Monsters, Inc.’ is 20 years old – look back at Pixar’s fur tech breakthroughs
The hairball model Pixar used to develop the dynamic movements of Sulley’s fur.
Watch this Squid Game VFX breakdown from Gulliver Studios
From Gulliver Studios.
Fxtras: ‘The Suicide Squad’ on DVD and Blu-ray
Notes on the VFX featurettes on the home entertainment release for ‘The Suicide Squad’.