
Cinesite adopted new workflows to bring more flexibility to its creature pipeline for the latest incarnation of ‘The Witcher’. A new excerpt from issue #13 of befores & afters magazine.
Cinesite adopted new workflows to bring more flexibility to its creature pipeline for the latest incarnation of ‘The Witcher’. A new excerpt from issue #13 of befores & afters magazine.
Framestore took the domesticated bishop’s claw in Foundation to a new level. Read this excerpt from issue #13 of befores & afters magazine.
Mixing practical and digital to create the hybrid creatures in ‘Sweet Tooth’: an excerpt from befores & afters magazine.
How a trip to the fish markets helped Scanline VFX deliver this fearsome creature in ‘Meg 2: The Trench.’ Read a new excerpt from issue #13 of befores & afters magazine.
Framestore’s Tim Webber on the lessons learned from his live-action/virtual production hybrid short, ‘FLITE’.
Go behind the scenes of Framestore’s latest short, FLITE, plus other shorts made with real-time tools.
Why Wētā FX changed its animation system and adopted new deep learning methodologies for ‘The Way of Water.’
The co-founder of Wonder Dynamics breaks down how the AI VFX tool Wonder Studio was made for storytellers.
Spectral Motion breaks down their practical characters for ‘Guillermo del Toro’s Cabinet of Curiosities’. An excerpt from befores & afters magazine.