Rodeo FX’s Deak Ferrand details the concepts behind the show’s opening battle.
Digital Domain on its morphing creature for ‘The Twilight Zone’.
Video VFX breakdown: Mavericks VFX on s3 of The Handmaid’s Tale.
Framestore goes behind the scenes of their CG creature work for ‘Lovecraft Country’.
A visual look behind The Embassy’s key VFX shots for ‘Warrior Nun’.
SPOILER WARNING: The making of the opening battle oner, baby Pogo, a fish-headed android, Ghost Ben and the final confrontation.
Step-by-step with Framestore.
Congratulations to all the nominees.
The VFX studio also leveraged its extensive primate experience in bringing the season-favorite character to life.
Air pods and office spaces this season relied on new virtual production techniques, something that goes back all the way to the beginning of the series.
Legacy Effects shares its process for ‘Tales From the Loop’.
Part of the VES’ VFX Pros series.
Pixomondo reveals how they turned Jeremy Irons into gold, and realized the fun house mirror effects.
How DNEG delivered ‘Westworld’s’ droids for season 3.
Robots, ships and alien creatures.
A highlight from ‘The Mandalorian’.
The VFX studio showcases its work for the show.
An in-depth Q&A with visual effects supervisor Andrew Whitehurst.
Proof reveals how it animated 700 shots for the comic-book style finale of ‘The Blacklist’ in just six weeks.
‘The whole thing’.
FuseFX on their futuristic effects for Amazon’s ‘Upload’.
A new Unreal Engine video looks at Painting Practice’s previs for the series.
Image Engine breaks down its robot showdown animation from s2 of ‘Lost in Space’.
Monsters Aliens Robots Zombies (MARZ) breaks it down.