Rodeo FX’s Deak Ferrand details the concepts behind the show’s opening battle.
Tag: VFXinTV
How do you make a shape-shifting alien?
Digital Domain on its morphing creature for ‘The Twilight Zone’.
The art of digi-double handmaids
Video VFX breakdown: Mavericks VFX on s3 of The Handmaid’s Tale.
‘Drool is not an afterthought, it’s a feature’
Framestore goes behind the scenes of their CG creature work for ‘Lovecraft Country’.
Breaking down the demons
A visual look behind The Embassy’s key VFX shots for ‘Warrior Nun’.
Wait, there’s a talking goldfish!? These are the killer VFX scenes from s2 of ‘The Umbrella Academy’
SPOILER WARNING: The making of the opening battle oner, baby Pogo, a fish-headed android, Ghost Ben and the final confrontation.
How virtual production was used to make ‘His Dark Material’s’ big bear fight
Step-by-step with Framestore.
The VFX Emmy noms are out!
Congratulations to all the nominees.
Weta Digital’s zero-G ‘Space Force’ chimp mocap included pushing an office chair around
The VFX studio also leveraged its extensive primate experience in bringing the season-favorite character to life.
‘Westworld’s’ journey into the LED screen revolution
Air pods and office spaces this season relied on new virtual production techniques, something that goes back all the way to the beginning of the series.
How do you make a robotic arm for a TV show, anyway?
Legacy Effects shares its process for ‘Tales From the Loop’.
A detailed discussion about the VFX of ‘Lost in Space’
Part of the VES’ VFX Pros series.
A visual breakdown of Pixomondo’s ‘Watchmen’ VFX
Pixomondo reveals how they turned Jeremy Irons into gold, and realized the fun house mirror effects.
A tale of 3 robots
How DNEG delivered ‘Westworld’s’ droids for season 3.
A whole bunch of ‘Lost in Space’ s2 VFX breakdowns in one place
Robots, ships and alien creatures.
Hybride breaks down its IG-11 character
A highlight from ‘The Mandalorian’.
Watch Image Engine’s ‘Mandalorian’ breakdown reel
The VFX studio showcases its work for the show.
Behind the VFX of ‘Devs’
An in-depth Q&A with visual effects supervisor Andrew Whitehurst.
‘Oh, we’re going to air that previs now…’
Proof reveals how it animated 700 shots for the comic-book style finale of ‘The Blacklist’ in just six weeks.
Here’s what ‘Picard’s’ CG modelers had to concentrate on for the Borg cube
‘The whole thing’.
The art of VFX for a comedy show
FuseFX on their futuristic effects for Amazon’s ‘Upload’.
VIDEO: The virtual production planning behind ‘His Dark Materials’
A new Unreal Engine video looks at Painting Practice’s previs for the series.
Animating bots
Image Engine breaks down its robot showdown animation from s2 of ‘Lost in Space’.
How they made two Paul Rudd’s for ‘Living With Yourself’
Monsters Aliens Robots Zombies (MARZ) breaks it down.