The ten-film shortlist for the VFX Oscar at the 94th Academy Awards
Which do you think will make the final five?
How that stunning Demerzel reveal in ‘Foundation’ was pulled off
Outpost VFX breaks it down.
VFX Futures: VFX supervisor Scott Stokdyk looks back on the digital human breakthroughs in ‘Spider-Man 2’
How Imageworks crafted a digital Alfred Molina and Tobey Maguire back in 2004.
A first look behind the scenes of Framestore’s ‘storybook’ scene in ‘Venom: Let There Be Carnage’
Watch the making of video.
Watch this VFX breakdown for ‘A Boy Called Christmas’
Including, the Truth Fairy.
VFX Futures: VFX supervisor Kaitlyn Yang on starting a studio, diversity in VFX, and more
Yang recently VFX supe'd 'The Shrink Next Door'.
Watch Platige Image’s ‘Dying Light 2 Stay Human’ cinematic breakdown
The studio breaks down the art, mocap, animation and CG work for the latest cinematic.
When your VFX task is: make a giant starfish destroy a city
Well, that’s basically just one thing Weta Digital had to do for ‘The Suicide Squad’.
Watch ILM’s ‘Eternals’ VFX breakdown
A new video from the VFX studio has been released.
A Q&A with Alberto Mielgo on ‘The Windshield Wiper’
The director's follow-up to 'The Witness'.
‘There’s nothing more psychotic than a character that is super cute but terrifying at the same’
MPC breaks down its mischievous Mini-Puft shots in ‘Ghostbusters: Afterlife’.
VFX Notes: ‘Shang-Chi’ – A VFX and martial arts masterpiece
Go behind the scenes of the film with Hugo and Ian!
Unreal Engine has made a ‘Matrix’-themed immersive experience with a photoreal Keanu
The experience has pre-rendered cinematics, real-time rendered scenes, and a car shoot-em-up you can PLAY.
This oner from ‘The Fellowship of the Ring’ is still so captivating
'Fellowship' is about to turn 20!
Soon you’ll be able to get stock effects elements…for game engines
EXCLUSIVE: Here’s what ActionVFX and Undertone FX are about to release.
Inside the Burly Brawl in ‘The Matrix Reloaded’
An official making video from Warner Bros. on the VFX innovations launched for this sequence by ESC.
5 VFX-related talks to check out at SIGGRAPH Asia 2021
Pixar, DNEG, Weta Digital, Digital Domain and more.
‘Colin in Black and White’ probably has a lot more visual effects work than you realized
FuseFX’s Josephine Noh tells befores & afters about their work on the show.
Watch DNEG’s ‘Venom: Let There Be Carnage’ VFX breakdown reel
Go behind the scenes of the work.
VFX Artifacts: Shane Mahan on the practical Dilophosaurus in ‘Jurassic Park’
How the 'Spitter' dino was made at Stan Winston Studio.
Shotmakers: The making of that Muncher moment in ‘Ghostbusters: Afterlife’
The Ecto-1 is back.
How VR painting and animation tool Quill helped make this watercolor-like short
Behind the scenes of Baobab's latest film, 'Namoo'.
On The Set Pic: Lost in Space, s3
Always fun to see official photos of chrome ball and Macbeth chart reference.
Here’s how those masterful mirror gags were pulled off in Edgar Wright’s ‘Last Night in Soho’
The film’s visual effects supervisor reveals how they were done via sliding mirrors, clever choreography and digital compositing.
Watch Goodbye Kansas’ ‘Vigil’ VFX breakdown
How some of the trawler and submarine shots were done.
Turning Beastboy into a bat and a tiger
(Just don’t ask where Beastboy’s clothes go).
‘It’s pretty gnarly at times!’
VFX supervisor Stephane Ceretti breaks down the design and visual effects behind the mysterious creatures.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX