The most fun VFX run-down of ‘Flight of the Navigator’ you’ll ever see
Thank you, Captain Disillusion.
How Imageworks gave Falcon new wings
Also, a look at the New York chopper and truck rescue scenes in ‘The Falcon and the Winter Soldier’.
4 things you should know about the VFX behind Mechagodzilla
How Scanline VFX made the giant robot for ‘Godzilla vs. Kong’.
How the environment for the ‘Falcon and the Winter Soldier’ Germany truck chase went from array plates to fully 3D
The team from Rodeo FX explain why.
How Weta Digital delivered that digi-double handover of Anthony Mackie in ‘The Falcon and the Winter Soldier’
Plus, a look at the studio’s canyon creation for that dramatic opening scene of the series.
The effects you probably didn’t notice in ‘The Falcon and the Winter Soldier’
Costume fixes, and a bloody (and often CG) shield.
One of the toughest effects in ‘Twister’: sunflowers
'I'm in trouble. They're not going to grow.'
Step-by-step: making magic for ‘A Discovery of Witches’
Using Houdini to simulate magic, explained.
‘Turning a painting into moving images reveals a lot of things’
The tools Imageworks developed to help give ‘Mitchells’ its painterly style (and to create giant Furbies).
‘The way we animated those was completely new’
‘Mitchells’ animation supe Alan Hawkins discusses the insane robot rigs on the film.
Behind the early 2D/3D test for ‘The Mitchells vs. the Machines’
‘How can I make something rendered look more like an illustration?’
‘Okay, what if it looked exactly like this?’
'Mitchells vs. the Machines' director Michael Rianda on why the art of the film looks like the final film.
Exclusive: sneek VFX peak from ‘The Boys’ official podcast
So, how does Homelander fly?
Here’s how to hear untold VFX stories from these VFX legends
Tune in for the Then & Now track at FMX 2021.
VFX Firsts: What was the first film to use a chrome ball, and when were they first used for HDRI lighting?
Where did those chrome balls used in VFX come from?
‘Tenet’ takes the VFX Oscar
It's the third VFX win for a Christopher Nolan film.
Zero-gravity frame rates, deep fakes and moon scrapes: the VFX of ‘For All Mankind’
An in-depth conversation with VFX supervisor Jay Redd.
Follow along with Melina Juergens’ digital hooman diary
The actress is showcasing her work for 'Senua's Saga: Hellblade II'.
Icy fingers of death: the ‘Snowpiercer’ aquarium scene was based on the real-world phenomenon of brinicles
Also, how Image Engine utilized Unreal Engine for snowy train environments.
How Kong’s ocean showdown with Godzilla was made
Scanline VFX also discusses making Kong a little more world-weary.
VFX breakdown: ‘The Irregulars’
VFX supe Richard Briscoe discusses the Rip.
You can get early access to MetaHuman Creator, right now
The Early Access program is officially open.
Weta Digital vs. Kong vs. a giant flying serpent vs. an upside down world
OK, how the heck do you make an Earth within the Earth?
Learn the untold stories of the effects for ‘Twister’
Watch the full replay of the VIEW Conference anniversary panel.
Motion capturing cats. That’s it. That’s the post.
This video showcases the work by DIGIC Services.
The VES pulled off an incredible virtual production-themed awards show
Here's all the winners.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX