Shotmakers: The making of that Muncher moment in ‘Ghostbusters: Afterlife’
The Ecto-1 is back.
How VR painting and animation tool Quill helped make this watercolor-like short
Behind the scenes of Baobab's latest film, 'Namoo'.
Here’s how those masterful mirror gags were pulled off in Edgar Wright’s ‘Last Night in Soho’
The film’s visual effects supervisor reveals how they were done via sliding mirrors, clever choreography and digital compositing.
Turning Beastboy into a bat and a tiger
(Just don’t ask where Beastboy’s clothes go).
‘It’s pretty gnarly at times!’
VFX supervisor Stephane Ceretti breaks down the design and visual effects behind the mysterious creatures.
Behind the stuffies and stand-ins used to make ‘Clifford the Big Red Dog’
VFX supervisor Blair Clark reveals how stuffies all the way from a small red beanbag to a giant red structure puppeteered by
Here’s how practical and digital effects worked together to sell the scares in ‘Malignant’
The parasitic Gabriel character came to life via prosthetic and animatronic effects by Spectral Motion, and digital visual effects by Industrial Light
What is photorealism? Well, someone literally just wrote the book on it
Visual effects supervisor Eran Dinur on his new VFX text, including an exclusive excerpt and a special discount code for befores &
How mocap suits and accelerometers helped previs the stunts and VFX for ‘No Time To Die’
Proof explains the previs process on the film.
Bunnies, birds and blood
How Scanline helped orchestrate Harley Quinn’s hilarious escape scene in ‘The Suicide Squad’.
How to attend the XVFX launch event from ACCESS:VFX and We Are Stripes
The event is taking place in London on 25 November.
‘What’s the story? What’s the feeling? That’s the hard part.’
Rodeo FX art director Deak Ferrand on his concept contributions to ‘Dune’.
How to build an animation studio –> Sergio Pablos shows you how
Listen in on my chat with Sergio from SIGGRAPH.
So…you need a humanoid robot in your film? What are your options?
The VFX supervisor of 'Finch' outlines the considerations made in bringing Tom Hanks’ robot companion to life.
This behind the scenes video showcases Weta Digital’s history of VFX tool development in the wake of the Unity acquisition
Unity is acquiring Weta Digital.
These charts tell the sobering results of a new women in VFX report
Study from Annenberg Inclusion Initiative and Women in Animation finds that the participation of women in VFX remains very low.
The ‘Dune’ visual effects team used sandscreens instead of bluescreens
A look behind the scenes at the extensive VFX work in Denis Villeneuve’s film.
‘If a real monkey cannot do it, Ampersand won’t do it’
How ILM crafted the starring capuchin monkey in ‘Y: The Last Man’.
Cinesite turns 30: a look back at the VFX studio’s history
Cineon, digital workflows, visual effects highlights and animated beginnings.
How Aaron Sims Creative made ‘The Eye: Calanthek’ in UE5 in six weeks
And, how you can download the alien creature animated with Control Rig from the short right now.
‘Monsters, Inc.’ is 20 years old – look back at Pixar’s fur tech breakthroughs
The hairball model Pixar used to develop the dynamic movements of Sulley's fur.
Watch this Squid Game VFX breakdown from Gulliver Studios
From Gulliver Studios.
Fxtras: ‘The Suicide Squad’ on DVD and Blu-ray
Notes on the VFX featurettes on the home entertainment release for 'The Suicide Squad'.
How to make a trawler sink and a glider fly (and go underwater): 6 of the biggest visual effects scenes in ‘No Time To Die’
We also cover the ice fall, Matera scenes, Land Rover chase and those final devastating explosions.
Roger Deakins on cinematography and VFX cross-over, and why the DOP calls his stills photography ‘personal scribbles’
"I spend a lot of time trying to take photographs. But I can go days and not take a single frame."
Why Jorge Gutiérrez describes ‘Maya and the Three’ as “CG stop-motion”
befores & afters sits down with husband and wife creative team Jorge R. Gutiérrez and Sandra Equihua.
What actually goes into ‘designing’ visual effects for a major feature film?
'Venom: Let There Be Carnage' visual effects supervisor Sheena Duggal explains.
