Iterating shots – virtually – for ‘The Lion King’
From early animation to virtual cinematography to final shots.
What they built for real and what was CG in ‘Rise of Skywalker’s’ Pasaana speeder chase
And the shot of the characters launching into the air when the speeder crashes? That’s a practical stunt.
Captain Marvel: ‘My toughest shot’
Members of the visual effects team discuss their hardest scenes to pull off for the film.
Down to the wire: looking back at the VFX of ‘Endgame’
The film had almost 2,500 effects shots.
All the VES nominees, right here
...and the winners are announced Jan 29th.
When one of your fighters is not real
...actually, often they’re both not real: how Weta Digital crafted the Will Smith vs. Will Smith rumble in ‘Gemini Man’.
Here’s what I learnt at the VFX Bake-Off 2020
A TON of cool things were shown and revealed at the Academy event.
Gifathons, 3D animation and cloud rendering
How Conductor solved animation director James Curran’s need to render out his classic gifs in 3D.
In appreciation of ‘The Lion King’s’ true star: the dung beetle
Plus other scene-stealing background characters from the film.
Spoilers! The wolf scene from ‘Dracula’
A little bit gruesome and a lot of practical FX.
Exclusive: these ‘Irishman’ gifs reveal geometry created via new Flux tech
Plus a look at how ILM dealt with a moving camera, eyes, and body tracking markers.
How good is stunt-vis
Stunt performer Vladimír Furdík gives a fun insight into 'The Witcher'.
Attack of the ostrich
How ‘Jumanji: The Next Level’s’ dune buggy desert chase was made.
Cloudscaping
Framestore's air-side journey for 'The Aeronauts'.
Check out this ‘His Dark Materials’ video with a load of breakdowns
That polar bear fight.
These new ‘Mistress of Evil’ featurettes are heavy on effects
Come fly with me.
Puppeteering re-visited
Everyone wants to try this, surely.
Watch The Mill’s Apex Legends live CG character performance
A digital character on stage, live and ‘in person’ at The Game Awards 2019.
Exclusive: Method’s ‘Terminator: Dark Fate’ VFX breakdown
Go behind the scenes on the fiery C-5 and helicopter chase from the film.
How do I bring content into Unreal Engine?
Datasmith lets you import your designs directly into the game engine.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX