Director David F. Sandberg on making a short (including VFX tips)
Watch 'Shadowed' and how it was made.
Behind The Scenes Star Wars: The Rise of Skywalker
This Isotropix video features the work on the film, and a glimpse behind the scenes at ILM.
Body of Work: MPC’s creatures and characters
From monsters to Mufasa.
From greenscreen man to ‘The Invisible Man’
How motion control, practical suits, stunts, CG and SFX combined.
Enjoy these multiple Trixter breakdowns for ‘The Kangaroo Chronicles’
Animating (and even motion capturing the action) for a CG kangaroo.
5 tips that made my 3D animation life easier
Watching your animation upside down might just make you a better animator, plus other pro advice.
Pixar did some greenscreen experiments for ‘Onward’s’ Dad character
A new behind the scenes video.
A ‘War of the Worlds’ car stunt
A brief behind the scenes from the TV series.
VFX studios share shots of their crews working from home
A quick-round up of fun VFX-er WFH pics (and, yes, it includes cats as well).
Twitchy little spiders inspired this horrifying scene from ‘It: Chapter Two’
A look behind the moment with Method Studios.
The director of ‘Shazam!’ just revealed a whole bunch of VFX behind the scenes from the film
Some great videos and stills to check out.
MPC goes ‘Underwater’: VFX Breakdown
A new VFX breakdown for the Kristen Stewart film.
A brief history of Digital Domain’s Masquerade
Behind the facial motion capture software that helped make Thanos.
I mean, c’mon, how cool is dog mocap?
See how it was done on 'The Call of the Wild'.
The VFX step that happens before the VFX
Framestore’s CG polar bear postvis for ‘Timmy Failure: Mistakes Were Made’.
‘RoboCop 2’: The crazy story of how Cain got his CG puppeteered head
When real-time digital puppeteering and stop-motion combined.
Get to know destruction FX in Unreal Engine
How Chaos and Niagara work hand-in-hand to blow stuff up.
This ‘Terminator: Dark Fate’ stuntviz reel is intoxicating
Check out both the stunt co-ordination and temp VFX to help map out the scene.
Do not miss Han Yang’s ‘The Pantheon’
A great way to appreciate real-time workflows.
Meet freak, Framestore’s new in-house renderer
How and why the studio built a proprietary ray tracer.
Avatar: Fire and Ash
Get issue #52
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX