The story-telling side of animation at a VFX studio: Weta Digital on the battle sequence in ‘Eternals’
Animation supervisor Sidney Kombo-Kintombo reveals the process of finding the right story beats for that final show-down.
ILM goes in-depth on its Amazon jungle VFX for ‘Eternals’
And how the VFX studio managed to pull off that ‘Revenant’-inspired shot.
The ten-film shortlist for the VFX Oscar at the 94th Academy Awards
Which do you think will make the final five?
How that stunning Demerzel reveal in ‘Foundation’ was pulled off
Outpost VFX breaks it down.
A first look behind the scenes of Framestore’s ‘storybook’ scene in ‘Venom: Let There Be Carnage’
Watch the making of video.
When your VFX task is: make a giant starfish destroy a city
Well, that’s basically just one thing Weta Digital had to do for ‘The Suicide Squad’.
A Q&A with Alberto Mielgo on ‘The Windshield Wiper’
The director's follow-up to 'The Witness'.
‘There’s nothing more psychotic than a character that is super cute but terrifying at the same’
MPC breaks down its mischievous Mini-Puft shots in ‘Ghostbusters: Afterlife’.
Unreal Engine has made a ‘Matrix’-themed immersive experience with a photoreal Keanu
The experience has pre-rendered cinematics, real-time rendered scenes, and a car shoot-em-up you can PLAY.
Soon you’ll be able to get stock effects elements…for game engines
EXCLUSIVE: Here’s what ActionVFX and Undertone FX are about to release.
5 VFX-related talks to check out at SIGGRAPH Asia 2021
Pixar, DNEG, Weta Digital, Digital Domain and more.
‘Colin in Black and White’ probably has a lot more visual effects work than you realized
FuseFX’s Josephine Noh tells befores & afters about their work on the show.
Shotmakers: The making of that Muncher moment in ‘Ghostbusters: Afterlife’
The Ecto-1 is back.
How VR painting and animation tool Quill helped make this watercolor-like short
Behind the scenes of Baobab's latest film, 'Namoo'.
Here’s how those masterful mirror gags were pulled off in Edgar Wright’s ‘Last Night in Soho’
The film’s visual effects supervisor reveals how they were done via sliding mirrors, clever choreography and digital compositing.
Turning Beastboy into a bat and a tiger
(Just don’t ask where Beastboy’s clothes go).
‘It’s pretty gnarly at times!’
VFX supervisor Stephane Ceretti breaks down the design and visual effects behind the mysterious creatures.
Behind the stuffies and stand-ins used to make ‘Clifford the Big Red Dog’
VFX supervisor Blair Clark reveals how stuffies all the way from a small red beanbag to a giant red structure puppeteered by
Here’s how practical and digital effects worked together to sell the scares in ‘Malignant’
The parasitic Gabriel character came to life via prosthetic and animatronic effects by Spectral Motion, and digital visual effects by Industrial Light
What is photorealism? Well, someone literally just wrote the book on it
Visual effects supervisor Eran Dinur on his new VFX text, including an exclusive excerpt and a special discount code for befores &
How mocap suits and accelerometers helped previs the stunts and VFX for ‘No Time To Die’
Proof explains the previs process on the film.
Bunnies, birds and blood
How Scanline helped orchestrate Harley Quinn’s hilarious escape scene in ‘The Suicide Squad’.
How to attend the XVFX launch event from ACCESS:VFX and We Are Stripes
The event is taking place in London on 25 November.
‘What’s the story? What’s the feeling? That’s the hard part.’
Rodeo FX art director Deak Ferrand on his concept contributions to ‘Dune’.
How to build an animation studio –> Sergio Pablos shows you how
Listen in on my chat with Sergio from SIGGRAPH.
So…you need a humanoid robot in your film? What are your options?
The VFX supervisor of 'Finch' outlines the considerations made in bringing Tom Hanks’ robot companion to life.
This behind the scenes video showcases Weta Digital’s history of VFX tool development in the wake of the Unity acquisition
Unity is acquiring Weta Digital.
Get my new book in PRINT or on KINDLE.
Issue #65: The visual effects of The Electric State.
Issue #64: The visual effects of Monarch: Legacy of Monsters, s2.
Issue #63: The visual effects of 28 Years Later.
