The DNEG team are breaking down the VFX of ‘Dune’ in a big way
A free event that explores the biggest effects in the film.
How the sandworms in ‘Dune’ were designed
This official video goes behind the scenes, including on DNEG's work.
This in-depth look at the VFX of ‘Dune’ is now available
The LA Siggraph video featuring DNEG's work on the film is online.
Watch DNEG’s ‘No Time To Die’ VFX breakdown
A new video from the VFX studio.
VFX Notes: Go behind the scenes of ‘Tenet’
"I'll see you at the beginning, friend."
Yes, ‘Dune’ used sandscreens, but it also used grayscreens, and even bluescreens
Visual effects supervisor Paul Lambert discusses more about that side of the filmmaking.
How VFX artists got a chance to revisit the ‘Matrix’ foetus fields with even more detail
Behind DNEG’s visual effects for the return to the real world in 'The Matrix Resurrections'.
The ‘Matrix Resurrections’ dojo was the first time DNEG had used Unreal Engine-rendered scenes for a sequence in a feature film
How the studio crafted the Morpheus and Neo fight scene.
Exclusive: watch DNEG’s VFX breakdown for ‘Last Night in Soho’
See how the VFX studio executed those amazing mirror effects, and a number of digital environments.
5 VFX-related talks to check out at SIGGRAPH Asia 2021
Pixar, DNEG, Weta Digital, Digital Domain and more.
Watch DNEG’s ‘Venom: Let There Be Carnage’ VFX breakdown reel
Go behind the scenes of the work.
Shotmakers: The making of that Muncher moment in ‘Ghostbusters: Afterlife’
The Ecto-1 is back.
Here’s how those masterful mirror gags were pulled off in Edgar Wright’s ‘Last Night in Soho’
The film’s visual effects supervisor reveals how they were done via sliding mirrors, clever choreography and digital compositing.
The ‘Dune’ visual effects team used sandscreens instead of bluescreens
A look behind the scenes at the extensive VFX work in Denis Villeneuve’s film.
How to make a trawler sink and a glider fly (and go underwater): 6 of the biggest visual effects scenes in ‘No Time To Die’
We also cover the ice fall, Matera scenes, Land Rover chase and those final devastating explosions.
What actually goes into ‘designing’ visual effects for a major feature film?
'Venom: Let There Be Carnage' visual effects supervisor Sheena Duggal explains.
How the visual effects team on Apple TV+’s ‘Foundation’ kept things grounded
“We can't just have all of our actors working in front of a bluescreen. They need to be on a hill, interacting
Watch DNEG’s Star Trek: Discovery VFX breakdown
The VFX team from the show just won an Emmy!
How DNEG gave life to Tree of Life scenes in ‘Jungle Cruise’
The VFX studio breaks it down, including with b/a stills and video.
Here’s how that crazy motorbike jump onto a C-17 in ‘Infinite’ was done
Plus, a breakdown of some of the film's other intense visual effects.
How the ‘F9’ filmmakers used camera arrays and bluescreen shoots to make fast action
Plus, details of a deleted scene that would have featured VFX-altered plates from the first movie.
How a greenscreen stage was used to shoot that ‘Jupiter’s Legacy’ hilltop battle
Behind the shots with visual effects supervisor Jim Mitchell.
Riffing on The Rip for ‘The Irregulars’
When you’re presented with a VFX problem to solve, how do you solve it?
The visual effects of ‘Wonder Woman 1984’
A look behind the scenes at the making of the film with the VFX team.
Q&A: ‘Greyhound’ director Aaron Schneider
How the director jumped into 3D and real-time tools to help make the film.
Watch this ‘Greyhound’ VFX breakdown video
Featuring synthetic ships and a CG ocean from DNEG.
The VFX of ‘Greyhound’
Delivering ships at sea, submarines...and water...in limited time.
Avatar: Fire and Ash
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Industrial Light & Magic: 50 Years of Innovation
How the right school helped this compositor land his latest credit on 'Invasion' season 3.
From classroom to credits, with Campus VFX