A look behind the scenes at the making of the film with the VFX team.
How the director jumped into 3D and real-time tools to help make the film.
Featuring synthetic ships and a CG ocean from DNEG.
Delivering ships at sea, submarines…and water…in limited time.
Forwards, backwards, practical, digital—and everything in-between.
How DNEG delivered ‘Westworld’s’ droids for season 3.
An in-depth Q&A with visual effects supervisor Andrew Whitehurst.
‘The whole thing’.
…and why it was different in the teaser trailer.
Exploring DNEG’s digital environments in part 3 of our ‘Togo’ series.
In part 2 of our DNEG ‘Togo’ breakdown we explore how the CG dogs were animated, including how dog FACS and even dog motion capture were explored.
Part 1 of our behind the scenes look at DNEG’s VFX for ‘Togo’.
A puppetry, VFX and CG breakdown.
This DNEG VFX reel breaks down key scenes.
How that insane carriage rescue in ‘The Dark Crystal: Age of Resistance’ was pulled off with VFX by DNEG.
How DNEG tapped into practical puppetry in delivering digital characters for ‘The Dark Crystal: Age of Resistance’.
The stunts, practical effects and digital visual effects of ‘Hobbs & Shaw’s’ wild daisy chain finale.
So. Many. Befores. And. Afters.
Behind the scenes of the crowds of ‘Bohemian Rhapsody’, ‘Rocketman’ and ‘Yesterday’.
A nail-biting 90 seconds of invisible visual effects.
DNEG’s crew breaks down layout, anim, FX, lighting and comp for a single VFX shot from the George Clooney show.
Following along with DNEG’s design and FX sims process for the twins and Vungus shots in ‘Men in Black: International’.