“We can’t just have all of our actors working in front of a bluescreen. They need to be on a hill, interacting with the environment, the wind’s got to be blowing…”
The VFX team from the show just won an Emmy!
The VFX studio breaks it down, including with b/a stills and video.
Plus, a breakdown of some of the film’s other intense visual effects.
Plus, details of a deleted scene that would have featured VFX-altered plates from the first movie.
Behind the shots with visual effects supervisor Jim Mitchell.
When you’re presented with a VFX problem to solve, how do you solve it?
A look behind the scenes at the making of the film with the VFX team.
How the director jumped into 3D and real-time tools to help make the film.
Featuring synthetic ships and a CG ocean from DNEG.
Delivering ships at sea, submarines…and water…in limited time.
Forwards, backwards, practical, digital—and everything in-between.
How DNEG delivered ‘Westworld’s’ droids for season 3.
An in-depth Q&A with visual effects supervisor Andrew Whitehurst.