How Pixar made cheese and bread and grapes look good enough to eat.
Here’s how it was made, including the last minute changes.
Celebrate the VFX of the now 25-year-old movie.
A look back at Boss Film’s end Heaven sequence.
Here’s how it was simulated, two decades ago.
A look back at Boss Film’s input device for Species’ Sil.
A look back at brick maps and radiance caches.
An iconic effect by ILM and an iconic effect in VFX history.
“After the second take, somebody gave me a baton.”
The star of the film had 1,150,070 hairs (and it wasn’t Linguini).
Including the time VFX supe Rob Legato used an Evian spray bottle for outer-space particles.
How mocap and motion blur were critical for these early digi-doubles.
The stop-motion film is celebrating its 20th anniversary.
The film turns 25 this week.
Do you remember which version you first tried?