The top 5 things you absolutely must see at SIGGRAPH 2019
(In which 5 things becomes a lot more than that...sorry).
How that insane illusion battle in ‘Spider-Man: Far From Home’ was created, and what didn’t make the final cut
Spoilers. Spoilers. Spoilers. Spoilers.
Exclusive: Inside Mill Film Adelaide’s new studio
Photos of the space, and notes from the architecture firm behind the design.
The making of Pixar short ‘Purl’
The film won Best in Show at this year’s SIGGRAPH Electronic Theater.
‘Catch-22’: the making of shot 127_1090
DNEG’s crew breaks down layout, anim, FX, lighting and comp for a single VFX shot from the George Clooney show.
‘I want to see it!’ ILMers on the time Gary Sinise first saw his missing legs in ‘Forrest Gump’
...and other stories about the film’s classic invisible VFX.
How to be discovered as a digital artist
What you need to know about The Rookies.
Come to Switzerland, learn about CG actors
ILM, MPC and Cubic Motion will be diving into their CG human and character workflows.
Getting to the final shot
Following along with DNEG’s design and FX sims process for the twins and Vungus shots in ‘Men in Black: International’.
VR set scouting, ‘throne lava’ and Drogon’s touching moment with Daenerys
Inside the meticulous planing on ‘Game of Thrones' that brought Emilia Clarke, Kit Harrington and a CG dragon together for the throne
The path to real-time previs
Looking back to Halon’s early work on ‘War of the Worlds’ and their most recent 'Mouse Guard' efforts.
How FXhome channelled ‘Stranger Things’ in its Upside Down-inspired tutorial
Part of our new focus on a wider set of VFX tools.
When Storm attacks
How MPC delivered this intense lightning moment in ‘Dark Phoenix’.
How stock footage of a dog and a skier found its way into the VFX of ‘Cold Pursuit’
The effects artists needed particular kinds of splashes and snow.
VFX Videos: Mouse Guard, Captain Marvel, I am Mother, and shooting TVCs with robots
The latest and greatest VFX-related videos around.
To pull off this shot, the VFX team had to make Godzilla run at 200 mph
‘King of the Monsters’ VFX supe Guillaume Rocheron on orchestrating this Godzilla vs. Ghidorah clash.
Get premium stock footage for visual effects from ActionVFX
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Exclusive: ILM’s Rob Bredow and Lola’s Trent Claus to speak at VIEW
They join a previously announced major line-up of speakers at the Turin event in October.
Simulcams, LEDs for eyelines and previs’d flamethrowers: planning Drogon’s revenge attack
Behind the scenes with The Third Floor’s 'Game of Thrones' previs and techvis.
Check out these ‘Star Trek: Discovery’ season 2 making-ofs
Discover the VFX...breakdowns.
Ever felt you might need a texture micro-details synthesizer?
Nexture, with some help from A.I., may well be what you’re looking for.
Tropism: the procedural Modo plugin for growing trees and…lightning bolts
How the tool works and why the creator made it.
Pixar’s CG dust bunnies in ‘Toy Story 4’ made the filmmakers sick (in a good way)
Dust, rain, cobwebs, and Bo Peep’s porcelain surface are just some of the film’s incredible CG feats.
Here’s how one VFX artist is using Adobe’s /
An 'in the field' shot done with the new After Effects tool.
A new tool to build worlds, and erode them
QuadSpinner’s Gaea is one of the latest terrain tools on the block.
Cine Tracer: the game that’s also a tool for real-time cinematography simulation
Get in there and visualize real-world filmmaking now.
Demo Cospective’s cineSync for free
Cospective is the exclusive supporter of #vfxtoolsweek.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX