On the film’s 30th anniversary, learn how the VFX studio was going to motion blur Tippett’s stop-motion puppets, before things went CG.
Collaborator Webster Colcord captured MAD GOD documentary images on 16mm film, combined with digital and optical sound.
Re-visiting the go-motion work by Phil Tippett at ILM.
“The only good bug is a dead bug.”
An animator’s perspective (and a special bonus excerpt from befores & afters magazine).
The latest issue of befores & afters magazine has arrived!
This official featurette made a few years ago and now released by Universal showcases many of the practical effects dinos by Stan Winston Studio, the CG efforts by ILM, and the contributions from Phil Tippett.
The iconic ED-209 is the latest VFX Artifact we discuss.
A video excerpt from a VIEW Conference chat with the stop-motion/VFX legend.
Tape contains original animatics for the ‘Jedi’ Rancor sequence.
He’ll be diving into stop-motion, visual effects and the art of making films.
When real-time digital puppeteering and stop-motion combined.
Phil Tippett explains how Dennis Muren and ILM made it happen…just.
Phil Tippett, his close collaborators and…the puppets…are the stars of this new documentary film.