
On the film’s 30th anniversary, learn how the VFX studio was going to motion blur Tippett’s stop-motion puppets, before things went CG.
On the film’s 30th anniversary, learn how the VFX studio was going to motion blur Tippett’s stop-motion puppets, before things went CG.
Collaborator Webster Colcord captured MAD GOD documentary images on 16mm film, combined with digital and optical sound.
This official featurette made a few years ago and now released by Universal showcases many of the practical effects dinos by Stan Winston Studio, the CG efforts by ILM, and the contributions from Phil Tippett.