Posted onFebruary 9, 2021inArticle Some people have wondered if the Dark Troopers might be stop-motion
Posted onFebruary 6, 2021February 9, 2021inArticle A visual journey into the Sci-Tech hair simulation winners
Posted onFebruary 4, 2021February 15, 2021inArticle How ILM kept much of the Krayt dragon hidden in s2 of ‘The Mandalorian’
Posted onJanuary 14, 2021January 15, 2021inRetro “I thought, ‘This is not going to work.’ But nobody has ever questioned it.”
Posted onDecember 23, 2020January 8, 2021inArticle A ‘Midnight Sky’ VFX conversation—Part 1: LED walls, spaceships and CG face replacements
Posted onDecember 15, 2020December 16, 2020inRetro How a test using a plate from ‘Jumanji’ helped sell the CG approach on ‘Mars Attacks!’
Posted onNovember 2, 2020November 10, 2020inArticle Dennis Muren on the origins of ‘Stained Glass Man’ in ‘Young Sherlock Holmes’
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Posted onSeptember 25, 2020September 25, 2020inArticle What a delight seeing how ILM created the Razor Crest miniature for ‘The Mandalorian’
Posted onSeptember 11, 2020September 11, 2020inArticle Coming soon: a whole heap of new ILM StageCraft stages
Posted onAugust 3, 2020August 5, 2020inRetro An admission: I totally forgot about the great CG spacesuits in ‘Space Cowboys’
Posted onJuly 18, 2020July 20, 2020inRetro Miniaturization secrets: Eric Brevig on ‘The Indian in the Cupboard’
Posted onJuly 3, 2020July 6, 2020inRetro ‘Die Hard 2’: the story behind that famous final matte painting pullback
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Posted onMarch 13, 2020May 12, 2020inArticle, Retro The way the opening tauntaun shot was done in ‘Empire Strikes Back’ still makes me flip