How new ways of shooting, new digital tools and lots and lots of roto resulted in the laser swords of ‘Episode I’.
Projection mapping played a key role in making those racers go fast. Real fast.
How VFX took Mark Ruffalo to a whole new level of Hulk in ‘Endgame’.
A VFX oral history of ‘The Mummy’s’ coolest action scene.
Storytelling with previs, VFX and a Sony hand-held camera.
Something very cool was shown at a panel for ‘The Mandalorian’.
“I’m the only one here with a camera, and I’m seeing the first styrofoam mock-up of this creature, and it will never exist again.”
The true story of the original ending of ‘Snake Eyes’, and its ground-breaking water sims by ILM.
How *that* shot in ‘Meet Joe Black’ was pulled off
The ILM veteran breaks down 3 of his classic ‘how did they do that?’ film effects.