
The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked out in early pre-planning.
The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked out in early pre-planning.
A sneak peek of Foundry’s new Unreal Reader tool for Nuke with a special guest. On the VFX Notes podcast with Ian Failes from befores …
How to use the new machine learning tools to aid in correcting out-of-focus, removing markers, garbage mattes and beauty work.
Solo artists can now use the compositing tool on commercial projects; plus Foundry releases Nuke 12.2.