‘A great big show of visual effects where nobody will know that we did anything’
Behind ILM’s 700 invisible visual effects shots for Martin Scorsese’s 'Killers of the Flower Moon'.
DNEG builds a beautiful broken world in HBO’s ‘The Last of Us’ with MattePaint
The highly anticipated HBO adaptation of The Last of Us video game transport viewers into a beautiful post-apocalyptic world. DNEG faced the daunting task
Watch TRIXTER’s ‘Loki’ season 2 VFX breakdown
The work includes the Temporal Loom and (human) spaghettification VFX.
This ‘Godzilla Minus One’ behind the scenes footage is a fun watch
Check out greenscreen work, CG animation and even miniatures.
ILM’s Rob Coleman on co-chairing this year’s SIGGRAPH Asia Computer Animation Festival
The ILM creative director also reflects on the importance of his past SIGGRAPH experiences.
Music video for ‘Follow the Toad’ follows virtual production workflow
Impossible Objects worked on this music video 'Follow the Toad' for PIA and EDM music producer Anymize, captured on a small stage with a
Get the latest version of Autograph
Packed with game-changing new features, this is Left Angle's biggest release yet. Plus, find out how to get 40% off.
How this music video was made by painting the talent silver
VFX supervisor joins the podcast to discuss making Big Time Rush’s music video for 'Weekends'.
KISS as avatars, by ILM
Check out the short featurette that showcases the performance capture and digital avatar work by Industrial Light & Magic.
EXCLUSIVE VIDEO: Behind the visual effects of ‘NYAD’
In this EXCLUSIVE visual effects breakdown video, find out the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
You can now watch Framestore’s ‘FLITE’ in full online
The virtual production short film was also covered in depth in befores & afters magazine.
6 Reasons Why You Need MASV For VFX File Transfers
MASV can drastically speed up VFX workflows through its fast, reliable, and automated file transfer platform.
Re-thinking the approach to creatures
Cinesite adopted new workflows to bring more flexibility to its creature pipeline for the latest incarnation of ‘The Witcher’. A new excerpt from issue
3D Gaussian Splatting with KIRI Engine, Now Available on Android for The First Time
Here's how to get the app right now.
‘The water needed to have a performance’
How the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
On The Set Pic: ‘All the Light We Cannot See’
Louis Hofmann as Werner Pfennig in episode 104 of All the Light We Cannot See.
Rebelway’s VFX training courses are 25% off for Cyber Monday savings
Get 25% off any course and 10% off any bundle all this week.
A new VFX Notes is here! And we go deep on both ‘Extraction’ films
Looking at how CGI, stunts and practical effects blend together.
ActionVFX’s Early Access 3D Asset Library Launches | Production-Ready 3D Models, VDBs, & More
Discover more about ActionVFX's new production-ready 3D Asset Library.
Nick Dudman on the make-up effects and creatures in s2 of ‘The Wheel of Time’
Trollocs and Fades!
Avatar: Fire and Ash
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX