Looking back at ‘Sonic’ director Jeff Fowler’s Oscar-nominated ‘Gopher Broke’
The animated short was made at Blur Studio in 2004 - and it's crazy fun.
How SFX supe Jeremy Hays found himself acting next to Leonardo DiCaprio in ‘Once Upon a Time in Hollywood’
‘Rick, it’s a flamethrower.’
A trip (back) to ‘The Beach’
The VFX of that steamy plankton-fuelled love scene, two decades on.
A must-watch: Zero VFX’s ‘Little Women’ before and afters reel
Amazing invisible effects.
The insanely intricate work behind ‘Rise of Skywalker’s’ stereo conversion
Here’s how Stereo D pulled it off.
Preview: NVIDIA’s GPU Technology Conference
Highlights of some of the major VFX and animation sessions.
Pixomondo breaks down its ‘Carnival Row’ effects
The wings work is so impressive here.
Do you keep hearing about virtual production and want to know more?
Spark FX has a bunch of talks on the subject.
‘1917’ wins Best Visual Effects Oscar
Watch the acceptance speech here.
A decade of VFX Academy Awards
Watch VFX breakdowns from the past 10 VFX Oscar winners.
Don’t miss these ‘Mandalorian’ articles
Deep on the virtual production techniques.
Point clouds and real-time
Spacey.
5 befores and afters from the VFX Oscar nominees
With sliders!
Some of the biggest VFX films were where you didn’t see any VFX
Amazing work from Joker, Parasite, 1917 and more.
Seen Cavalry yet?
Is it a 2D animation / mograph game-changer?
The full ILM ‘Rise of Skywalker’ VFX reel
Don’t miss this.
More ‘Lion King’ breakdown-ness
See final shots along with behind the scenes of the virtual cinematography.
Go deeper into ‘The Lion King’
This breakdown from MPC reveals more.
Watch this stunning making of for a CG short made by students
'The Beauty' stunned the audience at the awards.
Digital Domain showcases ‘Dark Fate’ VFX
The extent of digi-doubles in plane sequence is incredible.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX