Star Wars model and miniatures aficionados: prepare to lose your minds
Something very cool was shown at a panel for ‘The Mandalorian’.
The small VFX detail in ‘Game of Thrones’ that says so much about the show
That wing clip is the coolest thing EVER.
ILM’s Rob Bredow on making the ‘Solo’ making-of book
"I’m the only one here with a camera, and I'm seeing the first styrofoam mock-up of this creature, and it will never
How stop-motion and VFX meet in Laika’s ‘Missing Link’
Featuring several of those classic Laika breakdowns.
Unity and real-time ray tracing: a Q&A
The details on Unity's journey into real-time ray tracing.
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Why stop at an elephant?
A primer on Ziva and its latest tech - automated anatomy transfers.
Breaking Down Four Big Scenes from ‘American Gods’
Season 2 is even crazier than Season 1.
Things VFX supes have to think about (that are more than just about VFX)
What Luma Pictures had to solve - not just on the technical side - when crafting their 'Captain Marvel' train chase.
The ultimate retro VFX sessions
A preview of the 'Then & Now' talks at FMX 2019.
Here’s how driving comps were done for ‘True Detective’
They are in the car A LOT.
The CGI tidal wave in ‘Snake Eyes’ that no one got to…sea (sorry)
The true story of the original ending of 'Snake Eyes', and its ground-breaking water sims by ILM.
What goes on behind the scenes when a VFX studio does one of those ‘real vs. CG’ test shots?
The art of the side-by-side.
A new way to search and keep track of VFX studios
VFX studio directory site 'We Are The Makers' launches
We’re following along with this Kickstarter animated short film project
Will it meet its goal?
There’s so much cool ‘Game of Thrones’ stuff here that I had to embed this video
Holy crap 'Game of Thrones' is almost here.
The Solid Distinguished Gentleman’s Ride
A sticky post with a regular landscape featured image on the corner of a nondescript block in Lancaster County, Pennsylvania, is a
Skrull transformations: inventing a new type of morph
All about ‘Captain Marvel’s’ shape-shifting Skrulls, and ponytails.
OK, so a shark man needs to fight a gorilla – what do you do?
“I was surprised no one scratched my car after that conversation.”
‘She eats a lot during this film, you know’ – giving CG characters some bite
How do you make a CG character eat, anyway? Weta Digital reveals all.
Dennis Muren on the art of crafting VFX shots that don’t reveal how they’re done
The ILM veteran breaks down 3 of his classic 'how did they do that?' film effects.
‘No more talk, we need positive action’: exploring more diversity in VFX
A report from the joint VES and SPARK CG Society Diversity & Inclusion Summit.
That Moment When You Have to Reveal Your Work to the World
What it was like for Sony's 'Spider-Verse' artists after the film's first teaser trailer was released in 2017.
How to prepare breakfast
Mister Trouble never hangs around when he hears this Mighty sound: “Here I come to save the day!” That means that Mighty
A room since 1939
Mister Trouble never hangs around when he hears this Mighty sound: “Here I come to save the day!” That means that Mighty
Cotton
Mister Trouble never hangs around when he hears this Mighty sound: “Here I come to save the day!” That means that Mighty
War Machine
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX