All about the ‘Ninety Days’ Unreal Engine 5 and Quixel Megascans project
Over 40 environments were created in just a few days each.
A fun look at the miniature, practical and digital effects for this ‘RRR’ train scene
Go behind the scenes with Surpreeze.
Inside Volucap’s new volumetric tech set-up, and its new 4D people
The volumetric capture studio is widening the company’s product offerings.
Eddie Redmayne gave the animation team direct feedback on how to perform limbic mimicry on Manticores
Behind the scenes on Fantastic Beasts: The Secrets of Dumbledore with Framestore.
VIDEO: Watch this NVIDIA Omniverse Enterprise overview with Escape Technology’s CTO
Lee Danskin guides you through the benefits of remote VFX working with Omniverse Enterprise.
‘Moon Knight’ continues the impressive Marvel tradition of seamlessly incorporating CG costumes
The VFX behind Moon Knight’s impressive armor.
VFX Notes: Inside the ‘Doctor Strange’ NYC mirror dimension
Plus a look at those Hong Kong reverse shots.
Cream creates ‘Survivorman VR’ Les Stroud digital double with Character Creator
A journey into making a digital human for a VR experience with just the right tools.
How they filmed that batmobile chase in ‘The Batman’
A new official video featurette.
Two vampires fight down a subway escalator: how Digital Domain made this shot happen
Behind this super-crazy moment in Morbius.
VFX Futures: NVIZ on the previs of ‘Morbius’
How NVIZ approached their visualization work on the film.
The backbone behind NVIDIA’s Omniverse: it’s USD
Here’s how USD works, and how you can see it in operation by trialling NVIDIA Omniverse for free.
The sims that destroyed Gotham
Behind Scanline VFX’s Gotham City flooding scenes in ‘The Batman’.
So, how exactly does someone pitch an episode of ‘Love, Death + Robots’?
With Vol. 3 now out, creator/EP Tim Miller and supervising director Jennifer Yuh Nelson explain how it works.
Here’s how Imageworks made their CG suit in ‘Spider-Man: No Way Home’
Imageworks VFX supervisor Chris Waegner explains his studio's digital hybrid Spider-Man suit in 'No Way Home'.
Behind the split screens in ‘Moon Knight’
Marvel has released a behind the scenes interview with VFX supe Sean Faden.
VFX Notes: ‘Twister’ – a meeting of the minds of practical & digital effects
Part 1 of our deep dive into the Jan de Bont film.
Getting up to speed (again) on ‘Sonic 2’
Inside MPC’s character animation for ‘Sonic the Hedgehog 2’.
VFX Futures: ftrack’s Fredrik Limsäter on the state of play of production tracking
We also get to the bottom of ftrack's name...
Check out Pixar’s Profile Mover rigging tech to be presented at SIGGRAPH
Lots of fun details in their Technical Paper.
Avatar: Fire and Ash
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX