A new VFX Notes podcast on ‘Spider-Man: Into the Spider-Verse’.
Tag: Sony Pictures Imageworks
They showcase Sony Pictures Imageworks and Sony Pictures Animation’s work on the film.
Behind the brushstroke, inkline and frame rate tools made for ‘Across the Spider-Verse’, plus case studies on bringing the hugely complex Mumbattan city and parchment paper-based Vulture to life.
That was just one of the major challenges Sony Pictures Imageworks had to tackle on the film.
How Imageworks built the planetoid inside and out.
From actor David Dastmalchian in fauxcap on set, to final gooey alien.
Sony Pictures Imageworks made a compilation video of their work on the many Spider-Man projects, starting in 2002.
Imageworks VFX supervisor Chris Waegner explains his studio’s digital hybrid Spider-Man suit in ‘No Way Home’.
Behind the scenes in this latest episode.
Sony Pictures Imageworks on the many characters it had to craft, including three Spider-Men–for the final ‘No Way Home’ showdown.
Also, how to animate a kinkajou, a snake and 2D-looking sequences in 3D.
How Imageworks tackled the look and feel of ‘Vivo’.
Behind the scenes of the studio’s digi-doubles and CG city work.
Also, a look at the New York chopper and truck rescue scenes in ‘The Falcon and the Winter Soldier’.
Costume fixes, and a bloody (and often CG) shield.
The tools Imageworks developed to help give ‘Mitchells’ its painterly style (and to create giant Furbies).
‘Mitchells’ animation supe Alan Hawkins discusses the insane robot rigs on the film.
‘Mitchells vs. the Machines’ director Michael Rianda on why the art of the film looks like the final film.
At the time, PCs were not being used heavily for Hollywood VFX.
The untold tale of Bonsai.
What Sony Pictures Imageworks’ FX team delivered for the film.
How Imageworks tackled Lunaria in ‘Over the Moon’.
Imageworks’ VFX breakdown for that ostrich chase in ‘Jumanji: The Next Level’.
A huge amount of work went into just the desert for this ostrich sequence.
The VFX supe is being recognized at the upcoming VES Awards.
How ‘Jumanji: The Next Level’s’ dune buggy desert chase was made.
Environments, digital characters and lots of FX.