
A new VFX Notes podcast on ‘Spider-Man: Into the Spider-Verse’.
Behind the brushstroke, inkline and frame rate tools made for ‘Across the Spider-Verse’, plus case studies on bringing the hugely complex Mumbattan city and parchment paper-based Vulture to life.
Sony Pictures Imageworks made a compilation video of their work on the many Spider-Man projects, starting in 2002.
Imageworks VFX supervisor Chris Waegner explains his studio’s digital hybrid Spider-Man suit in ‘No Way Home’.
Sony Pictures Imageworks on the many characters it had to craft, including three Spider-Men–for the final ‘No Way Home’ showdown.
Also, a look at the New York chopper and truck rescue scenes in ‘The Falcon and the Winter Soldier’.
The tools Imageworks developed to help give ‘Mitchells’ its painterly style (and to create giant Furbies).
‘Mitchells vs. the Machines’ director Michael Rianda on why the art of the film looks like the final film.
Imageworks’ VFX breakdown for that ostrich chase in ‘Jumanji: The Next Level’.
A huge amount of work went into just the desert for this ostrich sequence.
Environments, digital characters and lots of FX.