Articles Inside the mind of Phil Tippett in the final stages of ‘MAD GOD’ Collaborator Webster Colcord captured MAD GOD documentary images on 16mm film, combined with digital and optical sound.
Magazine What it was like to work on Phil Tippett’s ‘MAD GOD’ An animator’s perspective (and a special bonus excerpt from befores & afters magazine).
Magazine Inside issue #7 of b&a mag: animatronics, creature effects and Phil Tippett’s ‘MAD GOD’ The latest issue of befores & afters magazine has arrived!
Podcasts VFX Firsts: The first film to use an all-CG photoreal character Could this breakthrough film with VFX from ILM contain yet another first?