Real-time and comp meet: How you can use the new UnrealReader node in Nuke to enhance your real-time renderings
Foundry gets real about real-time rendering.
How VR painting and animation tool Quill helped make this watercolor-like short
Behind the scenes of Baobab's latest film, 'Namoo'.
On The Set Pic: Lost in Space, s3
Always fun to see official photos of chrome ball and Macbeth chart reference.
Here’s how those masterful mirror gags were pulled off in Edgar Wright’s ‘Last Night in Soho’
The film’s visual effects supervisor reveals how they were done via sliding mirrors, clever choreography and digital compositing.
Watch Goodbye Kansas’ ‘Vigil’ VFX breakdown
How some of the trawler and submarine shots were done.
Turning Beastboy into a bat and a tiger
(Just don’t ask where Beastboy’s clothes go).
Here’s how Moab canyons and rock formations were scanned for Megascans
This behind the scenes Quixel video takes you on location for the scans.
‘It’s pretty gnarly at times!’
VFX supervisor Stephane Ceretti breaks down the design and visual effects behind the mysterious creatures.
Behind the stuffies and stand-ins used to make ‘Clifford the Big Red Dog’
VFX supervisor Blair Clark reveals how stuffies all the way from a small red beanbag to a giant red structure puppeteered by two people
Go behind the scenes of Pixomondo’s virtual production on S4 of ‘Star Trek: Discovery’
A new video showcases the work, which includes shooting on an LED stage.
Here’s how practical and digital effects worked together to sell the scares in ‘Malignant’
The parasitic Gabriel character came to life via prosthetic and animatronic effects by Spectral Motion, and digital visual effects by Industrial Light & Magic.
What is photorealism? Well, someone literally just wrote the book on it
Visual effects supervisor Eran Dinur on his new VFX text, including an exclusive excerpt and a special discount code for befores & afters readers.
On The Set Pic: ‘The Book of Boba Fett’
Jon Favreau on the set of the upcoming Lucasfilm series.
VFX Futures: Pipeline, tools and tech with Cinesite
Cinesite's technology leaders break down the major tech achievements and challenges facing the studio right now in VFX and animation.
Watch the behind the scenes for ‘A Boy Called Christmas’
Netflix has published this official making of video.
How mocap suits and accelerometers helped previs the stunts and VFX for ‘No Time To Die’
Proof explains the previs process on the film.
Bunnies, birds and blood
How Scanline helped orchestrate Harley Quinn’s hilarious escape scene in ‘The Suicide Squad’.
VFX Notes: The art of matte painting and invisible VFX with Craig Barron
A look back at the old-school days of matte painting, and the new digital realm.
‘Venom 2’ VFX supe Sheena Duggal breaks down the design of Carnage
Watch the new video, below.
How that London Deviant scene was crafted in ‘Eternals’
VFX supervisor Stephane Ceretti explains!
Avatar: Fire and Ash
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX