This in-depth look at the VFX of ‘Dune’ is now available
The LA Siggraph video featuring DNEG's work on the film is online.
VFX Futures: Douglas Trumbull on his plan to change cinema
A never released audio interview with the VFX pioneer.
Watch Alt.vfx’s breakdown for ‘The Power of the Dog’
The VFX studio has released their VFX breakdown.
Volumetric video: a state of play round-table
Leading companies in volumetric video share what they’re doing in this space, and their thoughts on the future of the industry.
On The Set Pic: ‘The Batman’
Actor Robert Pattison and director Matt Reeves on the set.
94th Academy Award VFX nominees are announced
An amazing group of nominees.
VIDEO: A new Reallusion iClone 8 work in progress demo
Go under the hood of iClone 8's Pose Mixer, Curve Editor and more.
VFX Firsts: What was the first composite done in Nuke?
We try to get to the bottom of the first comp done at Digital Domain in their tool.
Cinesite breaks down its ‘Witcher’ Basilisks
See the VFX studio's VFX reel for the creatures.
How Rodeo FX made Eskel Leshy from ‘The Witcher’ s2
Watch this new VFX breakdown video.
Inside the VFX of the freeway battle in ‘No Way Home’
One shot even saw Digital Domain replace a real car with a CG one going through real water barrels.
On The Set Pic: ‘Uncharted’
Director Ruben Fleischer and Tom Holland on the set of 'Uncharted'.
Watch DNEG’s ‘No Time To Die’ VFX breakdown
A new video from the VFX studio.
‘Candyman’: orchestrating an unexpected CG character
Luma Pictures delivered a digital version of the Candyman figure for the film. During filming of Nia DaCosta’s Candyman, an actor played the titular
How to get your foot in the VFX and animation door
Inside Cinesite’s LEAP program, plus details of the fairness, diversity and inclusion initiatives at the studio.
From on-set to final performance: the s2 creatures of ‘The Witcher’
VFX supervisor Daði Einarsson breaks down Basilisks, Eskel Leshy and Nivellen. After watching season 2 of The Witcher and seeing some of the great
‘It’s a strange world when you’re animating a goat’s tongue for previs’
The scene of Ralph Fiennes using goats to help climb a mountain in ‘The King’s Man’ was worked out first by stunts and previs.
VFX Notes: Go behind the scenes of ‘Tenet’
"I'll see you at the beginning, friend."
Watch Weta Digital’s ‘Shang-Chi’ VFX breakdown
From the third act battle!
Go inside the bunker of ‘No Time to Die’ with ILM
How the VFX studio helped craft the missile silo interiors for the film–it even included motion capture.
Avatar: Fire and Ash
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX