Then check out this new featurette on ‘Fast X’.
Meet the team at the exhibition and learn about Genesis Cloud’s solutions for accelerated cloud GPU computing for machine learning, visual effects rendering, big data analytics, and cognitive computing.
Watch their new video breakdown for the film here.
Behind the visual effects work for the ‘Extraction 2’ awning sequence, by Fin Design.
Framestore’s Tim Webber on the lessons learned from his live-action/virtual production hybrid short, ‘FLITE’.
They showcase Sony Pictures Imageworks and Sony Pictures Animation’s work on the film.
The VFX studio talks three key sequences: Metropolis destruction, young Barry’s power test run, and visiting the Batcave.
Let’s celebrate 30 years of ‘The Fugitive’.
A deep dive into the on-location chopper flying, bluescreen shooting, and final digital VFX work by DNEG for this and many other huge scenes in the film.
Making the second season of ‘Prehistoric Planet’.
Also, the scene that almost gave one of the film’s VFX supervisors a heart attack.
Netflix has posted some videos showcasing the work.
A look back at sand shakers, ornithopters and more.
RYAN GOSLING and MARGOT ROBBIE on the set of Barbie.
Go behind the scenes of Framestore’s latest short, FLITE, plus other shorts made with real-time tools.
Christos Obretenov from Lollipop Shaders on where stylization, illustrative looks and the ‘2D’ feel is headed in 3D animation.
Breaking down key moments from the Flash/Batman/Supergirl vs Kryptionans battle.
Create Superior Digital Doubles from Images and 3D Meshes.
Rodeo FX has released a VFX breakdown of their shots for the sequence, including this practical glass and mirror element shoot.
VFX artist Emily Griswold has posted this breakdown of work from the film, done at Powerhouse Visual Effects.
The Jennifer Lawrence film has some ace invisible visual effects work.
Includes befores/afters of ILM’s de-ageing work.
Several techniques were used to sell the 12 to 13 foot tall main character, including a swathe of in-camera effects.
The team behind the work are from SOKRISPYMEDIA, and they’re presenting on the previs at SIGGRAPH 2023.
Plus, how the studio directly honoured the transformation of the G1 toy of Optimus Prime.
A breakdown of the 20-minute oner crashes, helicopter smashes and other fiery effects in the film.
das element’s Jonas Kluger breaks down the key steps to organzing your assets in the best way possible.