VFX-related releases from the past week.
Some fun TRON animation details
Shared by animation compositor Glenn Campbell on Crew Stories.
The making of ‘The Liberator’
Juice breaks it down.
You’re going to get a whole lot more out of the featured speakers this year at SIGGRAPH
Usually there’s just one featured speaker at SIGGRAPH. This year we have 7!
Watch ILP’s VFX breakdown for ‘Jupiters Legacy’
See how the ocean-going ship shots were done.
VFX Firsts: What was the first digital matte painting in a film?
A game-changer in VFX in so many ways.
Chris Pratt pantomimed fighting creature tentacles in ‘The Tomorrow War’ with a stuffie called the football
How the visual effects teams brought the white spikes to life in the film.
On the set of ‘Black Widow’
An official behind the scenes pic of Scarlett Johansson and Florence Pugh from Marvel.com.
Go world building with Rodeo FX for ‘Lovecraft Country’
How the VFX studio built Chicago and Tulsa.
Tech Weeklies: RenderMan 24, Penzil, 3D Coat 2021, Dynamixyz acquired
Here’s what got released in VFX and animation tools this week.
Proof’s 3,000 previs shots for ‘F9’ were all hand-animated in Maya
Behind the scenes of Proof’s previs, techvis and postvis.
RenderMan 24…so, what are Stylized Looks?
Behind this particular framework in the latest release of Pixar’s RenderMan.
VFX Notes: Ep 2 – F9, stylization in animation, VFX forums and z-depth
Hugo and Ian are back with episode 2 of the podcast.
Remote studio, remote rendering and Redshift
How Shomen Productions utilized cloud rendering with Conductor for this HERE Technologies city scene.