Spoilers. Spoilers. Spoilers. Spoilers.
Exclusive: Inside Mill Film Adelaide’s new studio
Photos of the space, and notes from the architecture firm behind the design.
The making of Pixar short ‘Purl’
The film won Best in Show at this year’s SIGGRAPH Electronic Theater.
‘Catch-22’: the making of shot 127_1090
DNEG’s crew breaks down layout, anim, FX, lighting and comp for a single VFX shot from the George Clooney show.
‘I want to see it!’ ILMers on the time Gary Sinise first saw his missing legs in ‘Forrest Gump’
…and other stories about the film’s classic invisible VFX.
How to be discovered as a digital artist
What you need to know about The Rookies.
Come to Switzerland, learn about CG actors
ILM, MPC and Cubic Motion will be diving into their CG human and character workflows.
Getting to the final shot
Following along with DNEG’s design and FX sims process for the twins and Vungus shots in ‘Men in Black: International’.
When directors put on the mocap suit themselves
Usually, it’s actors who don motion capture suits, but here’s where the director suited up instead.
VR set scouting, ‘throne lava’ and Drogon’s touching moment with Daenerys
Inside the meticulous planing on ‘Game of Thrones’ that brought Emilia Clarke, Kit Harrington and a CG dragon together for the throne room finale.