‘Mitchells vs. the Machines’ director Michael Rianda on why the art of the film looks like the final film.
Exclusive: sneek VFX peak from ‘The Boys’ official podcast
So, how does Homelander fly?
Here’s how to hear untold VFX stories from these VFX legends
Tune in for the Then & Now track at FMX 2021.
VFX Firsts: What was the first film to use a chrome ball, and when were they first used for HDRI lighting?
Where did those chrome balls used in VFX come from?
‘Tenet’ takes the VFX Oscar
It’s the third VFX win for a Christopher Nolan film.
Behind the scenes of the VFX in ‘Thunder Force’
VFX supe Dave Morley breaks it down in this Netflix video.
Zero-gravity frame rates, deep fakes and moon scrapes: the VFX of ‘For All Mankind’
An in-depth conversation with VFX supervisor Jay Redd.
‘Shrek’ is 20: go back behind the scenes with PDI
Watch this official making-of featurette.
On the set of ‘Stowaway’
The film comes to Netflix 22 April.
Follow along with Melina Juergens’ digital hooman diary
The actress is showcasing her work for ‘Senua’s Saga: Hellblade II’.
VFX Firsts: What was the first film to use a digital composite?
And did it involve a dolphin…
Icy fingers of death: the ‘Snowpiercer’ aquarium scene was based on the real-world phenomenon of brinicles
Also, how Image Engine utilized Unreal Engine for snowy train environments.
Look closely and you might even see bicycles stuck to Kong during the Hong Kong fight
Yep, bicycles.
How Kong’s ocean showdown with Godzilla was made
Scanline VFX also discusses making Kong a little more world-weary.
‘Behind Her Eyes’ gets the VFX breakdown treatment
A look at the work by Goodbye Kansas Studios.
‘Star Trek: Discovery’ s3 – Pixomondo’s breakdown reel is here
Check out the studio’s work on season 3.
VFX breakdown: ‘The Irregulars’
VFX supe Richard Briscoe discusses the Rip.
You can get early access to MetaHuman Creator, right now
The Early Access program is officially open.
Weta Digital vs. Kong vs. a giant flying serpent vs. an upside down world
OK, how the heck do you make an Earth within the Earth?
Learn the untold stories of the effects for ‘Twister’
Watch the full replay of the VIEW Conference anniversary panel.
Motion capturing cats. That’s it. That’s the post.
This video showcases the work by DIGIC Services.
Making a Māori warrior with a difference
How Metia Interactive is using Reallusion’s Character Creator and iClone, and Unreal Engine, to help craft Guardian Maia.
VFX Firsts: What was the first film to use a cloud tank?
Surprise! befores & afters launches a podcast.
Shooting ‘Thunder Force’
Pom Klementieff as Laser, acts out a scene.
The VES pulled off an incredible virtual production-themed awards show
Here’s all the winners.