Watch MPC’s ‘Quantumania’ VFX breakdown
Quantum realm revealed.
MPC
VFX supe and director Adam Valdez on the new tech in his UE5 short ‘Brave Creatures’
The short utilized the new Path Tracer feature in Unreal Engine.
Watch this video breakdown of the VFX of ‘Pinocchio’
Hey You Guys features this MPC reel from the film.
How the hole-ly Veb in ‘Ant-Man: Quantumania’ came to be
From actor David Dastmalchian in fauxcap on set, to final gooey alien.
Hovering between the real and surreal
MPC breaks down the visual effects for several key scenes in Alejandro Iñárritu’s ‘Bardo.’
Watch MPC’s VFX breakdown for ‘Nope’
The studio showcases the Nope work in this video. https://www.youtube.com/watch?v=KYDKeAnugdk
The unique challenge of making a stalking, unfolding, alien entity that hides amongst the clouds
MPC’s key role in designing Nope’s ‘Jean Jacket’: an excerpt from issue #8 of befores & afters magazine.
See the on-location and VFX process for ‘Prehistoric Planet’
MPC has released a new behind the scenes video.
How the ‘Pinocchio’ VFX team took the stop-motion further
They crafted environments, water, snow, rain and many other effects for the Guillermo del Toro film.
Watch MPC’s ‘Wednesday’ VFX breakdown
Monsters!
‘A massive 5 million polygon scan of the actual cave in Thailand was brought to life so we could extend our practical sets’
The underwater, cave builds and invisible visual effects of 'Thirteen Lives'.
Watch this ‘Thirteen Lives’ VFX breakdown
MPC has released this behind the scenes reel. The film is in the final 10 for consideration of the VFX Oscar.
Alien entities, day for night, and inflatable tube men
VFX Notes is back, and it's back in a big way, with 'NOPE'.
Kevin Baillie on the virtual production of ‘Pinocchio’
An array of VP techniques helped make the Robert Zemeckis film possible.
‘Pinocchio’: going from virtual production to VFX
MPC breaks down its work on the Robert Zemeckis film.
Watch MPC’s VFX breakdown for ‘Secret Headquarters’
Befores and afters from the film.
Cloth sims for an alien entity, making the sky one giant visual effect, and a rampaging chimpanzee
Nope contains some of the most eclectic, and beautiful, visual effects you’ll see this year.
An effects artist’s dream project: Predator mandibles, cloaking and a bear fight in ‘Prey’
Plus, making a bear fight seven-foot-tall alien creature.
See this ‘RRR’ making of for the tiger attack on Bheem
VFX by MPC, overseen by production visual effects supervisor V Srinivas Mohan.
Watch MPC’s ‘Resident Evil’ VFX breakdown
The VFX studio has released a new reel.
How ‘The Boys’ VFX team crafted that heartbreaking octopus moment, and *that* penis scene
Behind the biggest, and craziest, visual effects moments in season 3.
How the ‘2D’ Chip in ‘Chip n’ Dale: Rescue Rangers’ was actually 3D
And how MPC had to make Seth Rogen’s Uncanny Valley Bob character look as bad as possible.
Here’s how MPC made that photoreal Harold Ramis digital double
Behind the scenes in this new VFX breakdown of the studio's Egon ghost for Ghostbusters: Afterlife. MPC stunned audience members a few years ago with their photoreal Rachael CG character…
‘Those close-ups are where it all lives and breathes’
The directors of Prehistoric Planet–Andrew R. Jones and Adam Valdez–reveal the secrets behind the live-action/CG hybrid nature documentary series.
Getting up to speed (again) on ‘Sonic 2’
Inside MPC’s character animation for ‘Sonic the Hedgehog 2’.
How that massive ocean storm scene was created in the first episode of ‘Vikings: Valhalla’
MPC explains the planning, tank shoot and water sims required.
Behind the stuffies and stand-ins used to make ‘Clifford the Big Red Dog’
VFX supervisor Blair Clark reveals how stuffies all the way from a small red beanbag to a giant red structure puppeteered by two people were created for the film.
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