Watch Framestore’s vis reel for ‘Deadpool & Wolverine’
Framestore’s Pre-Production Services (FPS) delivered over 900 previs, techvis and postvis shots.
Here’s how Emma Corrin’s hands went through Matthew Macfadyen’s face
Plus, the making of the Deadpool corps, blood and gore in the opening titles, and the rise of Dogpool, in this breakdown
Watch Framestore’s VFX breakdown reel for ‘The Fall Guy’
Stunt enhancement, the movie within the movie and even a CG dog.
EXCLUSIVE: Watch Framestore’s VFX breakdown for the gator action in ‘Bad Boys: Ride or Die’
See how the studio brought the explosive scenes and attacking alligator to life here.
Spinning skip bins, seamless face replacements, and setting fire to Ryan Gosling
Here’s how VFX helped enhance the incredible practical stunts and SFX in ‘The Fall Guy’. From befores & afters magazine in print.
‘I’ve got a feeling Alex has always had that shot in his head’
How Framestore built a living, breathing and under siege Washington, D.C. for ‘Civil War’. From befores & afters print magazine.
Behind the tests, on-set shoot and CG animation of the characters in ‘IF’
A deep dive with Framestore.
Here’s how Will Smith and Martin Lawrence took on a giant albino alligator in ‘Bad Boys: Ride or Die’
Behind the visual effects with Framestore.
Learn about lens profiling in VFX, and more
A recent webinar from Framestore's Robert Winter about his work on 'Rebel Moon' includes a very interesting section on matching the specific
‘Wouldn’t it be rad if we had fingers inside the mouth?’
The gulper from ‘Fallout’. A new excerpt from befores & afters magazine.
The creatures of ‘Avatar: The Last Airbender’
How characters like Appa and Momo were made.
‘It’s like a constantly evolving three-dimensional puzzle’
The VFX of ‘Furiosa: A Mad Max Saga’, incl the crazy War Rig scenes, impressive wasteland, immense rotoscoping, and how Anya Taylor-Joy’s
The VFX of ‘Fallout’: shooting on an LED volume on film, crafting one-eyed digital humans, mixing practical and digital, and more
Visual effects supervisor Jay Worth on the extensive visual effects of the Amazon series.
Watch this official VFX reel from ‘The Crown’ s6
Featuring work for episode 3 “Dis-Moi Oui”.
All about time slipping and spaghettification in ‘Loki’ s2
Plus, how the loom scenes were achieved.
Issue #18 of the mag is out! Learn all about big creature anim
Covering creature animation, with in-depth analysis of Fallout, YuYu Hakusho, Spaceman, and Damsel, and a print edition version of the history of
Look back at Framestore’s VFX for ‘Gravity’ in this new video
It appears on the Academy's YouTube site.
Re-visit the glorious stunts, special effects and digital visual effects in ‘Mad Max: Fury Road’
With 'Furiousa' almost here, now is the perfect time.
Visual effects problem solving: the dinosaurs of ’65’
How VFX helps solve story.
Watch Framestore’s VFX breakdown for ‘The Walking Dead: The Ones Who Live’
Including the helicopter cockpit work and crash.
Celebrating the incredible digital visual effects achievements in ‘Barbie’
The latest VFX Notes podcast episode with Ian Failes and Hugo Guerra is here!
Watch Framestore’s ‘Leave the World Behind’ VFX breakdown
Showcasing their CG deer.
‘He’s such a foul bear, but he’s doing these things that are kind of cute’
Framestore animation supervisor Nicholas Tripodi breaks down the art of bringing Ted to life on TV.
Going from greenscreen buck to soaring creature
How Framestore crafted the Bennu in 'Rebel Moon — Part One: A Child of Fire.'
When your creature is a mix of a pangolin and star-nosed mole (oh, and bigger than a plane)
How Framestore made the Frost Vark in Monarch: Legacy of Monsters, plus behind the scenes of their Brambleboar.
Framestore’s Mumbai Studio Accelerates Growth with Z by HP Workstations
Framestore's Mumbai studio is supported by technology including 500 HP Z4 Rack workstations with Intel ® Xeon ® W-2295 processors.
Get my new book in PRINT or on KINDLE.
Issue #67: The visual effects of Masters of the Universe.
Latest limited edition t-shirt: Pseudopod.
