Notes on the VFX featurettes on the home entertainment release for ‘The Suicide Squad’.
Tag: Framestore
How to make a trawler sink and a glider fly (and go underwater): 6 of the biggest visual effects scenes in ‘No Time To Die’
We also cover the ice fall, Matera scenes, Land Rover chase and those final devastating explosions.
What actually goes into ‘designing’ visual effects for a major feature film?
‘Venom: Let There Be Carnage’ visual effects supervisor Sheena Duggal explains.
VFX Futures: Framestore’s FIRA for portable real-time rig deformation
The VFX studio explains their tech to extend proprietary simulation and rigging tools to real-time workflows.
Chris Pratt pantomimed fighting creature tentacles in ‘The Tomorrow War’ with a stuffie called the football
How the visual effects teams brought the white spikes to life in the film.
The mocap and crowd sims behind the hordes of zombies in ‘Army of the Dead’
A quick visual breakdown from Framestore.
Here’s how you scan real Las Vegas to make a digital Las Vegas
The process the VFX team followed for ‘Army of the Dead’, including when the Vegas hotels wouldn’t let them capture data.
‘Oh my god, are they going to show this? Oh my god, they showed it.’
How stunts and VFX combined to craft that intense mauling scene in ‘Army of the Dead’.
WandaVision went old-school with this optical printer-inspired effect
How Framestore crafted the color blossoms.
The visual effects of ‘Wonder Woman 1984’
A look behind the scenes at the making of the film with the VFX team.
Catch a glimpse behind the scenes of ‘Tom & Jerry’
A featurette has some nice on-set and animation b-roll.
How the ‘Midnight Sky’ VFX team pulled off the film’s most shocking scene
Animating astronauts—and blood—in space.
A ‘Midnight Sky’ VFX conversation—Part 1: LED walls, spaceships and CG face replacements
How the film used virtual production and multiple VFX methodologies.
Multi-angle on ‘Jingle Jangle’: Part 3—Building Buddy
Matching CG robot to on-set prop.
VFX roundtable: season 4 of ‘The Crown’
Framestore’s team discuss turning Spain into Australia, animating an injured stag and deep fake face replacements.