The art of re-skinning
The stand-in proxy F3 cars, the picture cars, the tracking and matchmoving, and more. An excerpt from issue #43 of befores &
In-depth on the visual effects of ‘F1’
Get all the info, and a whole lot of behind the scenes imagery, in the latest magazine in PRINT or DIGITAL.
How the bus scenes in ‘The Lost Bus’ were filmed
Stunt buses, a bluescreen stage and more. An excerpt from befores & afters magazine. The latest issue of the magazine covers the
The feel of flight
A range of techniques were combined to make Superman fly. An excerpt from issue #41 of befores & afters magazine.
Virtual filmmaking on ‘Mufasa’
New approaches to virtual cinematography, the use of Unreal Engine, and understanding the film language of the filmmakers. An excerpt from issue
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A foam head performance
Behind the on-set puppetry in 'How to Train Your Dragon'. An excerpt from issue #39 of befores & afters magazine.
How those Florence Pugh parkour scenes were made in ‘Thunderbolts*’
An excerpt from issue #38 of befores & afters magazine.
Orchestrating a ‘Bullet Train Explosion’
An excerpt from issue #37 of befores & afters magazine, which is all about models and miniatures.
Kevin Bjorke came to Pixar for ‘Toy Story’ and first started modeling on his own Amiga
A special excerpt from befores & afters magazine's special issue on the 30th anniversary of Toy Story.
‘Toy Story’ is turning 30! Celebrate with a full issue of befores & afters magazine
Brand new interviews with crew members who were there at Pixar for the making of the film.
The mind-bending, camera-twisting start to season 2 of ‘Severance’
How a motion control robot camera, greenscreen plates, a treadmill and digital visual effects helped capture that frenetic season 2 opening oner.
Behind the scenes of s2 of ‘Severance’ in the latest magazine!
Innies and outies go digital and print in this new issue!
How Wētā FX crafted a horde of infected for season 2 of ‘The Last of Us’
An excerpt from issue #34 of befores & afters magazine.
Populating the world of ‘Andor’ with droids and creatures
An excerpt from issue #33 of befores & afters magazine.
Issue #34 is out and covers the practical and digital effects in ‘The Last of Us’ season 2
Issue #34 of befores & afters magazine is now out in PRINT and DIGITAL!
Go behind the scenes of season 2 of ‘Andor’ in a full issue of befores & afters magazine
Issue #33 of befores & afters magazine is now out in PRINT and DIGITAL!
The art of two Mickeys
Classic splitscreens, traditional face replacements and new approaches to machine learning-assisted face swapping allowed for twinning shots in ‘Mickey 17’. An excerpt
‘Twisters’: what went into a storm
Including, the fire-nado. An excerpt from issue #31 of befores & afters magazine.
Across The Rift
The dramatic school bus fight in 'In the Lost Lands'. An excerpt from befores & afters magazine.
‘We asked them to render out gameplay via nine different cameras’
How The Penguin's driving plates included footage from driving around in the video game, 'Gotham Knights'. An excerpt from issue #29 of
‘It was very visceral for the actor to see that light’
How a new kind of safe flash gun for interactive light, linked to the camera, was invented for 'The Penguin'. An excerpt
Brand new challenges for a familiar bear
How Framestore tackled fresh shooting methodologies for ‘Paddington in Peru’, while drawing on its rich history in character animation. An excerpt from
How to animate a rat being smashed…and do it backwards
The intricate stop-motion and puppeteering crafted by Tippett Studio for 'Alien: Romulus'. An excerpt from befores & afters magazine in print.
The river and 1.2 petabytes of disk space
How the emotional Raka scene from 'Kingdom of the Planet of the Apes' was made. An excerpt from befores & afters magazine.
The making of Chistery and the monkey guards from ‘Wicked’
An excerpt from befores & afters print magazine.
How ILM made the audience-favorite character Dulicbear for ‘Wicked’
An excerpt from befores & afters print magazine.
Foundation, s3
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX