What it took to design Cinesite’s creatures for s2 of The Witcher. The basilisks and chernobog featured in season 2 of Netflix’s The Witcher were …
Category: Magazine
Wētā FX unleashes zombies, and strange environs, for Multiverse of Madness.
MPC’s key role in designing Nope’s ‘Jean Jacket’: an excerpt from issue #8 of befores & afters magazine.
The designs in Nope, The Witcher and more–from the point of view of the VFX studios.
Titanic turns 25, and we are celebrating here at befores & afters.
Silicone puppets, live-action photography and meticulous digital effects made it possible.
How one animatronics designer and puppeteer has made his way into the world of Star Wars, Dark Crystal and more.
An animator’s perspective (and a special bonus excerpt from befores & afters magazine).
The latest issue of befores & afters magazine has arrived!
Animator Angus Lamont reveals how he crafted a giant monster attack in his makeshift garage/studio.
‘The Bubble’ had some slightly unusual visual effects requirements to help deliver its tongue-in-cheek tale.
A breakdown of Father John Misty’s single ‘Funny Girl’.
How Blinkink had to solve some interesting previs, stop-motion and 3D printing challenges for the promo. ‘Extreme by Nature’, a spot for the BBC Winter …
120 pages of visual effects in print.
The dog in the hills is…amazing.
How One of Us crafted the opening brasserie and Hogwarts Great Hall environments.
An excerpt from issue #5 of befores & afters magazine.
An excerpt from the ‘Everything Everywhere All at Once’ article in issue #5 of befores & afters mag.
From ‘Everything Everywhere All at Once’ to ‘Our Flag Means Death’.
Behind ILM’s cloth sims for Count Dooku in ‘Attack of the Clones’.
Do you know about Boids?
An excerpt from the special CG bird flocks feature in issue #4 of befores & afters magazine.
Behind those CG birds in ‘The Core’, and how one of them was actually a…salmon! An excerpt from issue #4 of befores & afters magazine.
…and there’s a new way for you to get your hands on it.
Find out how they made that ‘Wag the Dog’ bluescreen scene with Kirsten Dunst.
The latest edition of befores & afters magazine covers greenscreen performers, ‘meta’ VFX moments, practical effects and more.
The latest print edition of befores & afters goes deep on wireframes, 3D scanning, and practical FX.