How DNEG crafted the alien environment seen at the start of ‘Sonic the Hedgehog 2’.
Behind ILM’s cloth sims for Count Dooku in ‘Attack of the Clones’.
See the work BlueBolt crafted for the film.
Congrats to all at Wētā FX for ‘Avatar: The Way of Water’.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’
It’s just one of the ‘Then & Now’ sessions at the conference, which also feature Chris Corbould, Christian Manz and Nick Dudman.
The VFX behind Wētā FX’s star creature in ‘Peacemaker’.
MPC explains the planning, tank shoot and water sims required.
Everybody meet Crashtag.
Plus, you can download the sample city for free.
Behind the virtual production from CBS VFX for the HBO Max docuseries ‘One Perfect Shot’.
The Stuttgart conference will be showcasing what’s big in VFX and animation, and more.
The film’s stunning Batman versus Penguin chase includes some visual effects you might not even realize were there.
The winners were Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer.
EXCLUSIVE: How both the model making and visual effects students at National Film and Television School made it possible.
“I went off, and six months later I came back with this algorithm.”
Behind the scenes of the mid-air C-17 fight scene with visual effects studio DNEG.
befores & afters is presenting the ‘Non-VFX for VFX’ track at SPARK FX.
A look at the state of play of open source projects. The Academy Software Foundation has released a new research paper that looks at the …
‘Dune’ was the big winner on the night.