
It’s from the Netflix Türkiye channel, but shows great behind the scenes.
The VFX supervisor for ‘Top Gun: Maverick’ breaks down the biggest visual effects challenges in the film, and some of the invisible effects surprises from the team.
The Commodore Amiga 4000/040 was used by Digital Domain to help craft effects shots and review miniature shoots for Titanic, Apollo 13 and True Lies.
Sci-Techs include recognition of rain bar practical FX, renderfarm management, 3D texturing and AI-driven facial veiling technology.
Plus, behind the scenes on ship builds to replicate the ‘miniatures look’, Ferrix’s shipyard, and Coruscant’s cityscapes.
A quick round-up of where you can find befores & afters stories, podcasts, videos and social media postings.
A step-by-step on how 700 terabytes worth of volumetric capture was crafted for the concert crowds in the Whitney Houston biopic.
They crafted environments, water, snow, rain and many other effects for the Guillermo del Toro film.
Some extra things shared in breakdowns and discussion at the Academy event. The Academy VFX Branch hosted its Visual Effects Bake-Off on Saturday. The event …
How a giant water tank, a bevy of bluescreens and some innovative water sims helped make this Hurricane Katrina story possible.
Behind the design and the tools utilized by the studio on the film. If there’s one trend stirring up the feature animated film industry right …
How the VFX studio made the character fly, and how they also helped orchestrate the Talokan attack on Wakanda.
Performance capture that could be done simultaneously above and below water, a new muscle strains system away from blend shapes, and new R&D on a simulation framework to solve multiple types of water were among the big new developments for the film. Plus, the VFX team answer a major VFX question about a key scene.