The VFX supervisor for ‘Top Gun: Maverick’ breaks down the biggest visual effects challenges in the film, and some of the invisible effects surprises from the team.
Author: Ian Failes
The Commodore Amiga 4000/040 was used by Digital Domain to help craft effects shots and review miniature shoots for Titanic, Apollo 13 and True Lies.
A new VFX Notes breaks down the big ticket VFX items in the film.
Here’s how the Czech VFX studio PFX crafted 650 visual effects shots for the Petr Jakl film.
How ‘Emancipation’ VFX supervisor Rob Legato designed the Will Smith vs alligator scene.
See how the studio executed a key storm sequence and other shots in series 2.
A new breakdown explores the human character VFX.
Wētā FX unleashes zombies, and strange environs, for Multiverse of Madness.
VFX supervisor Rob Legato looks back on 25 years since the film was released. And yes we talk about Propeller Guy!
A very impressive VFX breakdown video showcasing water effects, rigging, and character work.
Sci-Techs include recognition of rain bar practical FX, renderfarm management, 3D texturing and AI-driven facial veiling technology.
Featuring reels from Marvel, Digital Domain, Cinesite, Storm Studios, Scanline and Weta FX.
MPC’s key role in designing Nope’s ‘Jean Jacket’: an excerpt from issue #8 of befores & afters magazine.
The studio has posted its reel.
Check out this official Netflix video.
A new featurette is out!
MPC has released a new behind the scenes video.
Plus, behind the scenes on ship builds to replicate the ‘miniatures look’, Ferrix’s shipyard, and Coruscant’s cityscapes.
A quick round-up of where you can find befores & afters stories, podcasts, videos and social media postings.
Watch this new Marvel featurette.
This featurette includes VFX making of material.
Sign up for a ton of bonus content, and now introducing, live streams…
A step-by-step on how 700 terabytes worth of volumetric capture was crafted for the concert crowds in the Whitney Houston biopic.
Congrats to the nominees, and here’s how befores & afters covered each project.
They crafted environments, water, snow, rain and many other effects for the Guillermo del Toro film.
Director Scott Cooper’s film, now on Netflix, features a range of invisible effects supervised by Jake Braver and crafted by studios including Phosphene FX and ILM.