
The VFX supervisor for ‘Top Gun: Maverick’ breaks down the biggest visual effects challenges in the film, and some of the invisible effects surprises from the team.
The VFX supervisor for ‘Top Gun: Maverick’ breaks down the biggest visual effects challenges in the film, and some of the invisible effects surprises from the team.
The Commodore Amiga 4000/040 was used by Digital Domain to help craft effects shots and review miniature shoots for Titanic, Apollo 13 and True Lies.
VFX supervisor Rob Legato looks back on 25 years since the film was released. And yes we talk about Propeller Guy!
Sci-Techs include recognition of rain bar practical FX, renderfarm management, 3D texturing and AI-driven facial veiling technology.
MPC’s key role in designing Nope’s ‘Jean Jacket’: an excerpt from issue #8 of befores & afters magazine.
Plus, behind the scenes on ship builds to replicate the ‘miniatures look’, Ferrix’s shipyard, and Coruscant’s cityscapes.
A quick round-up of where you can find befores & afters stories, podcasts, videos and social media postings.
A step-by-step on how 700 terabytes worth of volumetric capture was crafted for the concert crowds in the Whitney Houston biopic.
They crafted environments, water, snow, rain and many other effects for the Guillermo del Toro film.