In the volume with gladiators, chariots and horses
A round-table discussion on the virtual production challenges of Those About to Die. An excerpt from befores & afters magazine.
The dry-for-wet virtual production behind the stunning plane escape in ‘No Way Up’
How Dimension Studio used real-time tools and an LED wall for the sequence. A new excerpt from befores & afters print magazine.
The volumetric capture crowd tech behind ‘I Wanna Dance With Somebody’
A step-by-step on how 700 terabytes worth of volumetric capture was crafted for the concert crowds in the Whitney Houston biopic.
Kevin Baillie on the virtual production of ‘Pinocchio’
An array of VP techniques helped make the Robert Zemeckis film possible.
‘Bullet Train’ rides the virtual production wave
With plenty of final visual effects as well.
Get my new book in PRINT or on KINDLE.
Issue #66: The visual effects of Avengers: Endgame.
Latest limited edition t-shirt: Pseudopod.
