See Whiskytree’s VFX breakdown for ‘Masters of the Air’
The work includes flying scenes, environments and that incredible Paris establisher.
How to make a dragon
Behind the dragon by One of Us in ‘Damsel’. A new excerpt from befores & afters magazine.
How the action was previs’d in ‘Furiosa’
A new behind the scenes featurette about PROXi's Toybox previs done for Furiosa in Unreal Engine.
How those nuclear explosions were made for ‘Fallout’
Breaking down the nukes with RISE, as well as wasteland environments, vertibirds and battle shots.
A 30min roundtable on the VFX of ‘Ahsoka’? Yes, please
Ahsoka creator Dave Filoni, and ILM's production visual effects supervisor Richard Bluff, animation supervisor Paul Kavanaugh, and visual effects supervisor Enrico Damm discuss the
RizomUV 2024: Biggest upgrade since 2018
The latest release UV Unwrapping release from Rizom-Lab.
SFX supervisor Brian Johnson discusses ‘Thunderbirds’, ‘Star Wars’, ‘Space: 1999’ and more
The SFX legend recounts his career in this interview.
How on set LiDAR scanning works
LiDAR and photogrammetry specialist company Visualskies breaks down its process. A new excerpt from befores & afters magazine.
Check out this official ‘Fallout’ VFX breakdown
Showcasing set pieces, LED wall shoot and creatures of the wasteland. And jetpack flying man!
On The Set Pic: ‘The Umbrella Academy’, s4
(L to R) Colm Feore as Reginald Hargreeves, Aidan Gallagher as Number Five in 'The Umbrella Academy'.
Learn about lens profiling in VFX, and more
A recent webinar from Framestore's Robert Winter about his work on 'Rebel Moon' includes a very interesting section on matching the specific lenses used
Check out Cause and FX’s VFX breakdown for ‘Star Trek: Discovery’ s5
In this breakdown, Cause and FX showcase their work for the Eternal Archives environment from episode 8.
Patreon: ‘Tarzan’ turns 25 – a look back at Deep Canvas
Painting 3D geometry.
How multiple Robert Downey Jr.’s appeared on screen in ‘The Sympathizer’
Behind the scenes of the HBO series.
The on set visual effects experience for invisible effects
The making of ‘Fargo’s fifth installment. An excerpt from befores & afters magazine.
The impressive array of seamless VFX shots in ‘Ripley’
That boat scene, the environments, and shots you may not even have thought were VFX ones.
Patreon: John Bruno on the original Slimer and optical compositing from ‘Ghostbusters’
The making of Slimer, and more!
The 10th Annual VES NY Celebration and how you can attend
A look at the awards, how to grab tickets and a breakdown of the event with VES NY board chairman Jose L. Marin.
‘Wouldn’t it be rad if we had fingers inside the mouth?’
The gulper from ‘Fallout’. A new excerpt from befores & afters magazine.
Watch these amazing invisible effects crafted for the boat scene in ‘Ripley’
Featuring digital water, environments, blood and even digi-doubles from Wētā FX.
Avatar: Fire and Ash
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Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX