The 2nd season of the Apple TV+ series ‘SEE’ was one of WeFX’s first projects.
“We can’t just have all of our actors working in front of a bluescreen. They need to be on a hill, interacting with the environment, the wind’s got to be blowing…”
Scanline VFX breaks down the process for ‘Blood Red Sky’.
Ivan Reitman and Jason Reitman with crew and the Ecto-1 on the set.
This official video reveals the large extent of set extensions required for the show.
Lots of fun vol-cap footage here.
Showcasing their Emmy-award winning work in ‘Su’Kal’.
Including that incredible camera-spinning oner.
Behind the scenes with TRIXTER on their work for the character (and on the stand-in performer on stilts!).
The VFX studio’s work on the film.
It’s from the team at InCamera, who also made that amazing submarine tutorial for befores & afters magazine.
One of the befores & afters retro panels happening at VIEW Conference
A new video explains the process.
Breaking down The Third Floor’s approach to previs and more.
The latest edition of befores & afters magazine covers greenscreen performers, ‘meta’ VFX moments, practical effects and more.