How the biggest VFX moments in Ridley Scott’s ‘Napoleon’ were made
Breaking down that confronting horse death by cannonball, the Battle of Waterloo, a fight on ice, crafting ships at sea, and invisible
My top 5 highlights from SIGGRAPH Asia Sydney: ML and in-depth sessions on VFX
Rising Sun Picture's comprehensive look at their ML REVIZE set of tools was a big highlight of the week, which also included
‘The pain comes in just making that early commitment to the creative vision’
'Chicken Run: Dawn of the Nugget' director Sam Fell on the challenges of making a new–and even more bold–Aardman stop-motion film.
Crafting a plane crash, and its aftermath, for ‘Society of the Snow’
Behind the scenes of J.A. Bayona’s tale of the 1972 Uruguayan rugby team air disaster.
Miniatures, LED walls and live-action animals stitched together: the VFX of ‘Poor Things’
How Union VFX helped craft the surreal and hyperreal world of this Emma Stone film.
How VFX turned Tom Hiddleston’s dance moves into painful-looking timeslipping scenes
Also, behind the scenes of Framestore’s spaghettification and the Yggdrasil finale in season 2 of ‘Loki’.
Here’s how Beast was made for that end-credits scene in ‘The Marvels’
The character was all CG. Plus, how the VFX team handled teleportations, how they dealt with Brie Larson's hair, filming Goose and
‘A great big show of visual effects where nobody will know that we did anything’
Behind ILM’s 700 invisible visual effects shots for Martin Scorsese’s 'Killers of the Flower Moon'.
ILM’s Rob Coleman on co-chairing this year’s SIGGRAPH Asia Computer Animation Festival
The ILM creative director also reflects on the importance of his past SIGGRAPH experiences.
EXCLUSIVE VIDEO: Behind the visual effects of ‘NYAD’
In this EXCLUSIVE visual effects breakdown video, find out the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean
You can now watch Framestore’s ‘FLITE’ in full online
The virtual production short film was also covered in depth in befores & afters magazine.
‘The water needed to have a performance’
How the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
‘It’s actually what an illustrator would’ve done’
The new tools that Walt Disney Animation Studios used to give ‘Wish’ an old-school feel.
Doug Chiang and Doug Smythe reflect on winning a VFX Oscar for ‘Death Becomes Her’
The Academy has two short 'Behind the Oscars Speech' videos with the pair.
Mother Longlegs vs. Mantleclaw!
How this spectacular clash of the titans was made in episode one of ‘Monarch: Legacy of Monsters’. [SPOILER ALERT for first episode]
A giant penis, flaming body, and blood shards that kill
All in a days work for the 'Gen V' effects team.
Wētā FX will showcase their work on ‘The Marvels’ at SIGGRAPH Asia Sydney
Plus, a look at other VFX-related presentations coming up at the conference.
How ‘Barbie’s’ ode to Dawn of Man set the scene for a specific style of VFX
Behind the scenes of the film’s 1300 VFX shots, virtual production techniques, and miniatures work.
Under the ice: the VFX of the thrilling submarine scenes in ‘Dead Reckoning Part One’
Behind the scenes with VFX studio beloFX.
Get all the details on SIGGRAPH Asia Sydney!
This press release contains lots of info on the December event.
How Indian Spider-Man Pavitr Prabhakar got his yo-yo
And how one of the film's directors had to pitch it via the creative team's WhatsApp group
That stunning playoffs oner in s2 of ‘Winning Time: The Rise of the Lakers Dynasty’ was made from 10 stitches
Behind the visual effects on season two with VFX supervisor Raymond McIntyre Jr, including shooting on a greenscreen court with rollerblades (!),
World VFX Day is coming!
A new annual day to cast a light on the industry is taking place on 8th December.
How the crazy werewolf practical effects were made for ‘Wolf Like Me’
Behind the scenes on series two with Odd Studio and its practical Isla Fisher wolf effects.
‘I would love for a curious and interested audience to know how a matte painting is painted’
How matte paintings, miniatures and VFX artifacts become part of the Academy Museum, including one of the latest pieces from Cliffhanger.
The miniature effects of ‘Henry Sugar’, and where you can see more from Wes Anderson
Make your way to the Museum of Cinema & Miniature in Lyon, France.
Exclusive: behind Framestore Pre-production Services’ previs for ‘The Last of Us’
Be the first to watch FPS' reel containing previs work for 3 killer scenes in the HBO series.
