Behind the real-time approach.
Thank you, Captain Disillusion.
Also, a look at the New York chopper and truck rescue scenes in ‘The Falcon and the Winter Soldier’.
How Scanline VFX made the giant robot for ‘Godzilla vs. Kong’.
The team from Rodeo FX explain why.
Plus, a look at the studio’s canyon creation for that dramatic opening scene of the series.
Costume fixes, and a bloody (and often CG) shield.
‘I’m in trouble. They’re not going to grow.’
Using Houdini to simulate magic, explained.
The tools Imageworks developed to help give ‘Mitchells’ its painterly style (and to create giant Furbies).
‘Mitchells’ animation supe Alan Hawkins discusses the insane robot rigs on the film.
‘How can I make something rendered look more like an illustration?’
‘Mitchells vs. the Machines’ director Michael Rianda on why the art of the film looks like the final film.
So, how does Homelander fly?
Tune in for the Then & Now track at FMX 2021.