And how the VFX studio managed to pull off that ‘Revenant’-inspired shot.
Which do you think will make the final five?
Outpost VFX breaks it down.
Watch the making of video.
Well, that’s basically just one thing Weta Digital had to do for ‘The Suicide Squad’.
The director’s follow-up to ‘The Witness’.
MPC breaks down its mischievous Mini-Puft shots in ‘Ghostbusters: Afterlife’.
The experience has pre-rendered cinematics, real-time rendered scenes, and a car shoot-em-up you can PLAY.
EXCLUSIVE: Here’s what ActionVFX and Undertone FX are about to release.
Pixar, DNEG, Weta Digital, Digital Domain and more.
FuseFX’s Josephine Noh tells befores & afters about their work on the show.
The Ecto-1 is back.
Behind the scenes of Baobab’s latest film, ‘Namoo’.
The film’s visual effects supervisor reveals how they were done via sliding mirrors, clever choreography and digital compositing.
(Just don’t ask where Beastboy’s clothes go).