This old-school footage is direct from the miniatures set on Paul W.S. Anderson’s horror film.
Category: Articles
A breakdown of how the rig worked, with visual effects supervisor Jake Morrison.
Visual effects supervisor Tom Wood breaks down the big VFX challenges on the Baz Luhrmann musical.
Scroll through these very fun behind the scenes pics from the new Netflix show created by Neil Gaiman and Tom Sturridge.
The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked out in early pre-planning.
Before you see ‘Prey’, read about the old-school way the VFX in ‘Predator’ were crafted.
A new article on the 30th anniversary of the film.
“Bob had said to Meryl Streep: ‘Whatever Ken asks you to do, no matter how silly, just go with it. You can trust him.’ Because she must have been thinking, ‘What am I? What is this stupid thing?’” – Death Becomes Her visual effects supervisor Ken Ralston.
Behind the scenes of ‘Secrets of the Hollywood Archives’.
Behind the biggest, and craziest, visual effects moments in season 3.
‘Light & Magic’: a review.
The film has turned 25!
How ILM overhauled its feather system for ‘Jurassic World: Dominion’.
There are fully practical effects in the film, fully CG ones, and everything in between (and, yep, there’s even miniatures).
Watch this demo for Vanishing Point Virtual Production’s Antimatter app.