‘Turning a painting into moving images reveals a lot of things’
The tools Imageworks developed to help give ‘Mitchells’ its painterly style (and to create giant Furbies).
‘The way we animated those was completely new’
‘Mitchells’ animation supe Alan Hawkins discusses the insane robot rigs on the film.
Behind the early 2D/3D test for ‘The Mitchells vs. the Machines’
‘How can I make something rendered look more like an illustration?’
‘Okay, what if it looked exactly like this?’
'Mitchells vs. the Machines' director Michael Rianda on why the art of the film looks like the final film.
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Issue #66: The visual effects of Avengers: Endgame.
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