Watch Scanline’s VFX breakdown for ‘The Old Guard 2’
Digital cars, digi-doubles and more.
Scanline VFX and Eyeline Studios release featurette on making of ‘Wednesday’ Christopher Lloyd scenes
Go behind the scenes on how Eyeline Studios' volumetric capture tech was employed.
Crowds, courses and some crazy fun effects: the VFX of ‘Happy Gilmore 2’
Go behind the scenes with Scanline VFX on their work for the Adam Sandler film.
Watch Scanline’s VFX breakdown for ‘Andor’ s2
The VFX studio showcases its visual effects for a number of key scenes.
OK, so how do you show a saw cutting through someone’s face?
How make-up effects work and digital visual effects combined to craft this shot.
Scanline VFX releases new ‘Making of Senna’ featurette
Behind the scenes on the shooting, virtual production and digital VFX work in the series.
Watch Scanline’s VFX breakdown for ‘American Primeval’
Go behind the scenes.
Watch Scanline’s VFX breakdown for ‘Senna’
Go behind the scenes!
Going old-school with the VFX on ‘Beverly Hills Cop: Axel F’
How Scanline VFX crafted a range of 1980s-inspired effects shots, many of them of the invisible variety, for the Eddie Murphy film.
All about the motion base mechs in the Jennifer Lopez film, ‘Atlas’
How VFX decisions for shooting the mechs were made, and dealing with all the on-set, talent and vendor challenges along the way.
See Eyeline Studios’ volumetric capture rig in action for ‘One Piece’
Go behind the scenes.
See Scanline’s VFX breakdown for ‘3 Body Problem’
Including ship slicing, rehydration, inside the game, and more.
How Scanline made that Godzilla versus Kong fight amongst the pyramids
Plus, crafting Wart-Dogs, Kong’s arm brace and that Rio fight.
Watch Scanline’s VFX breakdown for ‘Avatar: The Last Airbender’
Extensive fire and water sims make up this impressive breakdown.
How Eyeline Studios’ new volumetric capture tech was used on ‘Yu Yu Hakusho’
Plus, a look at other creature effects work by Scanline VFX in the show.
Watch Scanline’s VFX breakdown for ‘Rebel Moon’
Showcasing Jimmy and other VFX.
The making of ‘Yu Yu Hakusho’
See how Scanline VFX and Eyeline Studios crafted the show's VFX.
How the underwater scenes in ‘Aquaman and the Lost Kingdom’ were filmed
Official production notes detail the Eyeline Studios approach to filming the actors with volumetric capture.
‘The water needed to have a performance’
How the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
Need to create a giant CG octopus? Why not start with the real thing
How a trip to the fish markets helped Scanline VFX deliver this fearsome creature in ‘Meg 2: The Trench.’ Read a new
Here’s Scanline’s VFX breakdown for ‘Spy Kids: Armageddon’
Vehicles, tech and...skeletons!
How those twinning/doubling shots in ‘The Flash’ were done
The crazy 360 degree reference camera and the volumetric capture of Ezra Miller.
How to plan for huge VFX sequences: the VFX supe and VFX producer on ‘Slumberland’
How do you get two characters to ride a giant flying goose, anyway?
Check out Scanline’s VFX breakdown for ‘Andor’
The studio has posted its reel.
The sims that destroyed Gotham
Behind Scanline VFX’s Gotham City flooding scenes in ‘The Batman’.
Watch Scanline’s ‘Don’t Look Up’ VFX reel
Comets, rockets and crowds.
Video: Inside the VFX of ‘Free Guy’
Build a city, destroy a city, and put Ryan Reynold's head on a body builder's shoulders.
Get my new book in PRINT or on KINDLE.
Issue #66: The visual effects of Avengers: Endgame.
Latest limited edition t-shirt: Pseudopod.
