
VFX supes Kelly Port and Matthew Butler, who started in the very early days at Digital Domain, reflect on the visual effects studio’s longevity, which began with films like True Lies and Apollo 13.
VFX supes Kelly Port and Matthew Butler, who started in the very early days at Digital Domain, reflect on the visual effects studio’s longevity, which began with films like True Lies and Apollo 13.
‘No Way Home’s’ VFX supervisor on crafting the Mirrorverse, orchestrating 3 different Spideys, and whether they could access any old 3D models from the past films (hint: no).