VFX supes Kelly Port and Matthew Butler, who started in the very early days at Digital Domain, reflect on the visual effects studio’s longevity, which began with films like True Lies and Apollo 13.
Tag: Kelly Port
Titanic turns 25, and we are celebrating here at befores & afters.
‘No Way Home’s’ VFX supervisor on crafting the Mirrorverse, orchestrating 3 different Spideys, and whether they could access any old 3D models from the past films (hint: no).
The extra tools employed by Weta Digital and Digital Domain in crafting Thanos for ‘Endgame’.