Celebrating 30 years of Digital Domain
VFX supes Kelly Port and Matthew Butler, who started in the very early days at Digital Domain, reflect on the visual effects
‘Titanic’s’ digital paraphernalia supervisor made all the difference
Titanic turns 25, and we are celebrating here at befores & afters.
Behind the scenes of the biggest effects in ‘Spider-Man: No Way Home’
‘No Way Home’s’ VFX supervisor on crafting the Mirrorverse, orchestrating 3 different Spideys, and whether they could access any old 3D models
Hey Thanos, what’s new with you?
The extra tools employed by Weta Digital and Digital Domain in crafting Thanos for ‘Endgame’.
Get my new book in PRINT or on KINDLE.
Issue #65: The visual effects of The Electric State.
Latest limited edition t-shirt: Pseudopod.
