Digital Domain made a real-time autonomous digital human.
Tag: Digital Domain
Digital Domain’s next-level of facial capture
The VFX studio announces Masquerade 2.0.
How do you make a shape-shifting alien?
Digital Domain on its morphing creature for ‘The Twilight Zone’.
‘Perry Mason’: noir VFX
Digital Domain on re-creating a 1930s Los Angeles.
‘Stealth’ has the most memorable movie missile launch shot. Ever.
Here’s how it was made, including the last minute changes.
The ‘Apollo 13’ effects you might not know about
Including the time VFX supe Rob Legato used an Evian spray bottle for outer-space particles.
A whole bunch of ‘Lost in Space’ s2 VFX breakdowns in one place
Robots, ships and alien creatures.
A brief history of Digital Domain’s Masquerade
Behind the facial motion capture software that helped make Thanos.
‘This is what Sonic fans seem to really want’: a Q&A with ‘Sonic’ director Jeff Fowler
The director talks Sonic’s re-design and what it took to plan, shoot and post the film.
A visual history of Nuke
So, what was the first version you used?
Digital Domain showcases ‘Dark Fate’ VFX
The extent of digi-doubles in plane sequence is incredible.
Watch Digital Domain’s Lost in Space, s2 reel
Ocean scenes, a raging storm and a caring robot.
The secrets behind the life (and death) of Titanic’s propeller guy
VFX crew from ‘Titanic’ reflect on the saddest character of them all.
Watch a whole ton of official ‘Avengers: Endgame’ VFX breakdowns in one place
So. Many. Befores. And. Afters.
My VFX job: Senior pipeline supervisor
Digital Domain’s Deke Kincaid on making everything ‘work like butter’.
How to make…lightning with your hands!
Digital Domain breaks down ‘Shazam!’s’ Rocky moment.
Hey Thanos, what’s new with you?
The extra tools employed by Weta Digital and Digital Domain in crafting Thanos for ‘Endgame’.
Skrull transformations: inventing a new type of morph
All about ‘Captain Marvel’s’ shape-shifting Skrulls, and ponytails.