How Digital Domain helped craft Wakanda Forever’s ship attack.
Tag: Digital Domain
And how one hilarious moment in ‘Black Adam’ done by the VFX studio didn’t make it to the theatrical cut.
How new developments in the studio’s Masquerade and Charlatan tools were part of its digital human work for She-Hulk: Attorney at Law.
Really cool to see digi-double asset builds and environments, and more.
The breakdown deals with new realms, the Sinister Sanctum, Wanda, cloaks and more.
Behind this super-crazy moment in Morbius.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’
Behind the scenes in this latest episode.
Including the Dock Ock vs Spidey overpass battle.
We try to get to the bottom of the first comp done at Digital Domain in their tool.
One shot even saw Digital Domain replace a real car with a CG one going through real water barrels.
Build a city, destroy a city, and put Ryan Reynold’s head on a body builder’s shoulders.
Destruction, sky diving and Red Room fighting.
‘No Way Home’s’ VFX supervisor on crafting the Mirrorverse, orchestrating 3 different Spideys, and whether they could access any old 3D models from the past films (hint: no).
Pixar, DNEG, Weta Digital, Digital Domain and more.
Showcasing their compound and other work.
Including how they made that opener.
A look behind the scenes at films like ‘Zodiac’ and ‘The Curious Case of Benjamin Button.’
How Digital Domain crafted Wenwu’s compound in ‘Shang-Chi’.
Digital Domain used its Charlatan tool to re-animate a line for the game-play version of Channing Tatum in the film.