Digital Domain made a real-time autonomous digital human.
The VFX studio announces Masquerade 2.0.
Digital Domain on its morphing creature for ‘The Twilight Zone’.
Digital Domain on re-creating a 1930s Los Angeles.
Here’s how it was made, including the last minute changes.
Including the time VFX supe Rob Legato used an Evian spray bottle for outer-space particles.
Robots, ships and alien creatures.
Behind the facial motion capture software that helped make Thanos.
The director talks Sonic’s re-design and what it took to plan, shoot and post the film.
So, what was the first version you used?
The extent of digi-doubles in plane sequence is incredible.
Ocean scenes, a raging storm and a caring robot.
VFX crew from ‘Titanic’ reflect on the saddest character of them all.
So. Many. Befores. And. Afters.
Digital Domain’s Deke Kincaid on making everything ‘work like butter’.
Digital Domain breaks down ‘Shazam!’s’ Rocky moment.
The extra tools employed by Weta Digital and Digital Domain in crafting Thanos for ‘Endgame’.
All about ‘Captain Marvel’s’ shape-shifting Skrulls, and ponytails.