Explore the VFX work in s2 of ‘Carnival Row’ with Digital Domain and Goodbye Kansas
Both studios have published some fantastic VFX breakdowns of their work.
Digital Domain
The making of M.O.D.O.K.
UPDATED: How the ‘Ant-Man: Quantumania’ visual effects team turned Corey Stoll into a cybernetically enhanced creature with an oversized head.
An old Amiga with ‘Titanic’ miniature shoot ‘video taps’ on it is a treasure-trove of VFX history
The Commodore Amiga 4000/040 was used by Digital Domain to help craft effects shots and review miniature shoots for Titanic, Apollo 13 and True Lies.
Digital people, CG water, miniatures, morphing: ‘Titanic’ had it all
VFX supervisor Rob Legato looks back on 25 years since the film was released. And yes we talk about Propeller Guy!
Going from bluescreen partial set to intense Wakandan/Talokanil at-sea battle
How Digital Domain helped craft Wakanda Forever’s ship attack.
How Digital Domain helped The Rock melt a mercenary
And how one hilarious moment in ‘Black Adam’ done by the VFX studio didn’t make it to the theatrical cut.
Digital Domain on the art and tech of a female CG character
How new developments in the studio’s Masquerade and Charlatan tools were part of its digital human work for She-Hulk: Attorney at Law.
Watch Digital Domain’s ‘Ms. Marvel’ VFX breakdown reel
Really cool to see digi-double asset builds and environments, and more.
Watch Digital Domain’s ‘Doctor Strange 2’ VFX breakdown
The breakdown deals with new realms, the Sinister Sanctum, Wanda, cloaks and more.
Two vampires fight down a subway escalator: how Digital Domain made this shot happen
Behind this super-crazy moment in Morbius.
Multi pass and motion control: re-visiting the VFX of ‘The Fifth Element’
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.'
VFX Notes: The VFX of ‘Spider-Man: No Way Home’
Behind the scenes in this latest episode.
Watch Digital Domain’s VFX breakdown for ‘No Way Home’
Including the Dock Ock vs Spidey overpass battle.
VFX Firsts: What was the first composite done in Nuke?
We try to get to the bottom of the first comp done at Digital Domain in their tool.
Inside the VFX of the freeway battle in ‘No Way Home’
One shot even saw Digital Domain replace a real car with a CG one going through real water barrels.
Video: Inside the VFX of ‘Free Guy’
Build a city, destroy a city, and put Ryan Reynold's head on a body builder's shoulders.
Video: Inside the VFX of ‘Black Widow’
Destruction, sky diving and Red Room fighting.
Behind the scenes of the biggest effects in ‘Spider-Man: No Way Home’
‘No Way Home’s’ VFX supervisor on crafting the Mirrorverse, orchestrating 3 different Spideys, and whether they could access any old 3D models from the past films (hint: no).
5 VFX-related talks to check out at SIGGRAPH Asia 2021
Pixar, DNEG, Weta Digital, Digital Domain and more.
‘Shang-Chi’ VFX breakdown from Digital Domain
Showcasing their compound and other work.
Watch Digital Domain’s ‘Free Guy’ VFX breakdown
Including how they made that opener.
VFX Notes: Ep 8 – David Fincher and the rise of invisible VFX
A look behind the scenes at films like 'Zodiac' and 'The Curious Case of Benjamin Button.'
The art of crafting the Ten Rings compound
How Digital Domain crafted Wenwu’s compound in ‘Shang-Chi’.
VFX Futures: How a deep learning renderer was used to re-animate a character’s lines in ‘Free Guy’
Digital Domain used its Charlatan tool to re-animate a line for the game-play version of Channing Tatum in the film.
Behind ‘Black Widow’: How they destroyed the Red Room (and orchestrated the skydiving that follows)
Spoilers! Digital Domain does a deep, um, dive on their visual effects for this sequence.
Vision vs The Vision: a VFX how-to
Digital Domain discusses the full-on Vision fight scenes in 'WandaVision'
Go behind the scenes of Digital Domain’s Coach Lombardi spot
The studio utilized its Charlatan face-swapping tool for the Super Bowl commercial.
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