Behind the visual effects on season two with VFX supervisor Raymond McIntyre Jr, including shooting on a greenscreen court with rollerblades (!), developing a specific tracking marker approach, adding crowds, and dealing with film and even broadcast video stock.
The VFX supervisor of ‘Panic Room’–the film is now two decades old–shares key moments from its production.
The VFX supervisor shares fun old-school stories and tales from Marvel shoots.
How ‘The Matrix Resurrections’ re-thought bullet time.