Issue #26 of befores & afters in PRINT is on the VFX of ‘Wicked’!
In-depth and with a ton of before and after images.
VFX without limits: How Baked Studios revamped its hybrid workflow with file streaming on Suite
A case study on Baked Studios and its use of Suite.
The wide use of machine learning VFX techniques on ‘Here’
Up-rez'ing, ML for transitions, and ageing and de-ageing were all part of the mix.
Part two of the VFX Notes breakdown of ‘The Phantom Menace’ is now here
A further deep dive celebrating the achievements in 'Episode I'.
A mix of old and new
The stop motion animation and VFX tech used on ‘Wallace & Gromit: Vengeance Most Fowl’. An excerpt from issue #25 of befores & afters
Here are all the nominees for the 23rd Annual VES Awards
Leading the noms are 'Dune: Part Two', 'The Wild Robot', 'Shōgun' and 'The Penguin'.
ILM breaks down its VFX for ‘Alien: Romulus’
Go behind the scenes.
Behind the scenes of ‘The Company We Keep’
Goodbye Kansas breaks down their 'Secret Level' episode called The Company We Keep.
How the Academy Software Foundation works
David Morin from the Academy Software Foundation on the VFX software packages the ASWF encompasses.
‘If you want a painterly bush, paint the bush’
How the painterly style of ‘The Wild Robot’ was realized. An excerpt from issue #25 of befores & afters magazine.
‘We called it hands through face’
Behind that stunning visual effect in 'Deadpool & Wolverine' where Cassandra moves her hands through Paradox, Wolverine and Deadpool’s faces.
Stop-motion! How Mama Crab was made in ‘Skeleton Crew’
A new behind the scenes featurette breaks down the work by Tippett Studio.
A Major Leap for Professional Animation Editing
Here's what's new in iClone 8.52 from Reallusion.
The creature effects in ‘Wolf Man’
Special make-up effects designer Arjen Tuiten gives a glimpse of what to expect in Leigh Whannell's 'Wolf Man'.
Here’s how PXO AKIRA’s new motion base vehicle processing ecosystem works
It was just announced at CES.
The new tech that made ‘Mufasa’ possible
Behind MPC’s QuadCap motion capture, premium previs and 2,000 frame renders on the film.
How to get VFX into your Sundance film
VFX for indie filmmaking.
‘I still have red dust on my motion base’
The practical and digital effects that made sandworm riding possible in 'Dune: Part Two'.
‘Here’: A test with Tom Hanks
The de-ageing Pepsi challenge. An excerpt from issue #24 of befores & afters magazine in print.
Behind the VFX for ‘Dune: Prophecy’
A new official video featurette is out.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX