New official VFX breakdowns now online for ‘Jurassic World Rebirth’
Showcasing the T-rex work by ILM and including VFX supervisor David Vickery and CG supervisor Mark Pascoe.
On The Set Pic: ‘Wednesday’
Jenna Ortega as Wednesday Addams and Victor Dorobantu as Thing in season 2 of 'Wednesday'.
Behind the scenes of the on-set puppeteering on ‘Jurassic World Rebirth’
This official featurette showcases the work by creature fx lead puppeteer Tom Wilton, and includes a few befores/afters.
A great way to see behind the scenes animatronics and creature FX work
...is by heading to Legacy Effects' website.
On The Set Pic: ‘Squid Game’
From season 3.
‘Ironheart’ VFX breakdown with RISE FX
Befores and afters.
Image Engine’s VFX breakdown for ‘The Old Guard 2’
Behind the scenes.
On The Set Pic: ’28 Years Later’
An iPhone barcam rig utilized on set for '360' views of certain shots in the film.
The craziest sequence in ‘Murderbot’ and how it was made
DNEG breaks down the worm and how it ate the main character (spoiler: Murderbot shoots his way out of the creature).
VFX Notes reviews the art and tech of ‘Mufasa: The Lion King’
Ian and Hugo celebrate MPC's innovations on Mufasa, including in virtual production, mocap and grooming.
Kevin Bjorke came to Pixar for ‘Toy Story’ and first started modeling on his own Amiga
A special excerpt from befores & afters magazine's special issue on the 30th anniversary of Toy Story.
Did you know about the specialized visual effects film stock that was made by Eastman Kodak to deal with red fringe artifacts?
How visual effects legend Hoyt Yeatman and tests being done for 1998’s ‘Mighty Joe Young’ led to the SFX 200T film stock.
Inside the Fantasticar
An on-set visit to The Fantastic Four: First Steps shoot at Pinewood from Supercar Blondie.
‘Toy Story’ is turning 30! Celebrate with a full issue of befores & afters magazine
Brand new interviews with crew members who were there at Pixar for the making of the film.
The mind-bending, camera-twisting start to season 2 of ‘Severance’
How a motion control robot camera, greenscreen plates, a treadmill and digital visual effects helped capture that frenetic season 2 opening oner.
Some fun virtual production footage from ‘Superman’ is now online
LED stage behind the scenes shot at Lux Stage at Trilith Studios, and bts from director James Gunn himself.
A look behind the scenes at what it takes to make visual effects for a Wes Anderson film
Freefolk discusses its approach to invisible visual effects in ‘The Phoenician Scheme’, including stitching plates together, re-times and just the right amount
It’s the VFX Notes ep on ‘Twisters’!
Hugo and Ian discuss the film as part of our special VFX Oscar Bake-off series.
What exactly does the role of a visual effects producer involve?
An in-depth chat with VFX producer Lynzi Grant.
Behind the scenes of ‘The Naked Gun’
Some fun official b-roll of process / bluescreen shooting.
New official featurette for ‘The Fantastic Four: First Steps’ features miniature work
Awesome to see miniature ship and miniature effects supervisor Ian Hunter featured.
Behind the scenes of s2 of ‘Severance’ in the latest magazine!
Innies and outies go digital and print in this new issue!
VFX Notes goes deep on the invisible effects of ‘Civil War’
Go behind the scenes of Framestore's work on this Alex Garland film.
Here’s where you can find befores & afters at SIGGRAPH in Vancouver!
I'll be involved in moderating talks on 'Sinners', 'In Your Dreams' and at the RenderMan Art & Science Fair.
Watch DNEG’s VFX breakdown for ‘Murderbot’
Go behind the scenes.
VFX breakdown: ‘The Sandman’ and Dream vs Azazel
An official breakdown from Netflix from season 2.
Framestore goes behind the scenes of flying scenes in ‘How To Train Your Dragon’
Key Framestore VFX crew-members and director Dean DeBlois break down the animation and visual effects for flying with previs, gimbals and more.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
How the right school helped this compositor land his latest credit on 'Invasion' season 3.
From classroom to credits, with Campus VFX