There are 17 stitches in that insane ‘Guardians of the Galaxy Vol. 3’ oner
Here’s how Wētā FX helped make it possible, and what things you should look out for in the background of the fight (hint: Blurp does some crazy stuff).
Wētā FX
Real-time depth compositing with an AI-assist
Behind the system Wētā FX invented for ‘The Way of Water’.
The 2-day virtual production shoot that led to the most touching moments in ‘Guardians of the Galaxy Vol. 3’
Also, how the stunning CG dog Cosmo was created, and the insane 120 fps shoot behind that corridor oner fight scene.
‘We got them running full tilt and acting all crazy, but then we also sped it up 8%’
How practical and digital combined to make that crazy episode 5 ‘Last of Us’ clicker battle.
‘The Cokey stuffy would be resting on a C-stand, and the actors would go up and touch her nose and interact with her’
Wētā FX breaks down their delivery of Cokey the bear for ‘Cocaine Bear’.
The water droplets on the kids fighting on the beach in ‘Avatar: The Way of Water’ took 8 days to simulate
Covering the CG characters with photoreal drips via a thin film solver was just one of the many water simulation challenges on the film.
The insider guide to the art and tech of ‘Avatar: The Way of Water’
A new VFX Notes breaks down the big ticket VFX items in the film.
‘I like the idea of doing a real place, underwater tank, LED screen, animatronic and CG, and then glueing them all together’
How ‘Emancipation’ VFX supervisor Rob Legato designed the Will Smith vs alligator scene.
Strange designs
Wētā FX unleashes zombies, and strange environs, for Multiverse of Madness.
Why the CG water in ‘The Way of Water’ looks so good
Performance capture that could be done simultaneously above and below water, a new muscle strains system away from blend shapes, and new R&D on a simulation framework to solve multiple types of water were among the big new developments for the film. Plus, the VFX team answer a major VFX question about a key scene.
How that shocking DC villain splitting scene was made
(It came as somewhat of a surprise to the VFX team behind it, too)
The surprising inspiration for that crazy Warg in ‘The Rings of Power’
Chihuahuas can be scary. But the real reason it served as reference for the Warg was: reality.
How those Talokan underwater scenes in ‘Wakanda Forever’ were made
Find out more details about how the civilization under the surface was brought to life by Wētā FX, including all that corn.
‘Avatar’ changed performance capture, 3D and virtual production
"You are on Pandora."
Performance, hair and…sequins: Wētā FX on its toughest tasks in ‘She-Hulk’
The VFX studio’s history in crafting photoreal CG humans and human-like characters was further extended on the series.
Working on ‘She-Hulk’ gave animators a rare chance to bring a fully CG photoreal female character to life
Wētā FX on the unique challenges of this superhero.
Wētā FX on the tricky task of those battling Asgardian kids in ‘Thor: Love and Thunder’
Plus, making shadow creatures!
Watch this official ‘Avatar’ performance capture featurette
The film is getting a re-release this week.
So, how do you *actually* make 100 meter tall creatures fight amongst the pyramids?
Behind the scenes of Moon Knight’s Ammit vs Khonshu battle by Wētā FX, plus the VFX studio’s work on the ‘million night skies’ sequence.
VFX Notes: The making of *that* batmobile chase
How the Batman/Penguin batmobile chase in 'The Batman' was made. This week on VFX Notes, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters jump into Wētā…
‘Moon Knight’ continues the impressive Marvel tradition of seamlessly incorporating CG costumes
The VFX behind Moon Knight’s impressive armor.
Look at this. Just look at it.
Congrats to all at Wētā FX for 'Avatar: The Way of Water'.
Did you know: Eagly has 9,162 feathers (about 2,000 more than normal eagles)
The VFX behind Wētā FX’s star creature in ‘Peacemaker’.
Anatomy of a Batmobile chase: a Wētā FX round-table
The film’s stunning Batman versus Penguin chase includes some visual effects you might not even realize were there.