Miniatures, LED walls and live-action animals stitched together: the VFX of ‘Poor Things’
How Union VFX helped craft the surreal and hyperreal world of this Emma Stone film.
The challenge of finger and hand removal (and 3D scanning a donkey)
Behind the scenes with Union VFX on ‘The Banshees of Inisherin’.
How stock footage of a dog and a skier found its way into the VFX of ‘Cold Pursuit’
The effects artists needed particular kinds of splashes and snow.
Get my new book in PRINT or on KINDLE.
Issue #66: The visual effects of Avengers: Endgame.
Latest limited edition t-shirt: Pseudopod.
